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The UMMA Collection

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San Biagio, One of the ‘Twenty-six Etchings’ or the ‘Second Venice Set’
1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Rue St. Rustique, Monmartre
1922
Eugène Atget; Berenice Abbott
gold-toned gelatin silver print on paper
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Doorway and Vine, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching on paper
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Passage de la Tête Noire
circa 1865-1875
Adolphe Braun
albumen print on paper
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