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The UMMA Collection

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Artwork Type:
Michigan Worker
1985
George Vargas
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, and padlock mounted on plywood
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Nocturne: Furnace, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
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Fleur de Lys Passage
1887
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Little Forge
1875
James Abbott McNeill Whistler
drypoint on laid paper
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The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’
1861
James Abbott McNeill Whistler
drypoint on laid Japan tissue
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Longshoremen
1859
James Abbott McNeill Whistler
etching, printed in black ink on laid Japan paper
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La Vieille aux Loques
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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La Vieille aux Loques
1858
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on green laid paper
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La Rétameuse, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white laid plate paper
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La Vieille aux Loques (One of the “Twelve Etchings from Nature,” or the “French Set”)
1856-1858
James Abbott McNeill Whistler
etching, printed in black ink on on laid paper
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Arbeitsfrau mit dem Ohrring
1910
Käthe Kollwitz
etching on paper
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Rag Pickers, Quartier Mouffetart, Paris
1858
James Abbott McNeill Whistler
etching and drypoint on paper
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Gandy Dancer, Brighton, Michigan
1973
D. James Galbraith
vintage gelatin silver print on paper, laid down on board
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