The Collection – University of Michigan Museum of Art

The Grand Canal, Venice

19th century

Egisto Manzuoli

oil on canvas

Photograph Album

19th century

English

168 albumen prints mounted in leather bound album

San Biagio, One of the ‘Twenty-six Etchings’ or the ‘Second Venice Set’

1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in black ink on wove paper

Nocturne: Furnace, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in brown ink on laid paper, trimmed to platemark

Venice

1903-1954

John Whorf

watercolor on paper

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

Vitré—The Canal

1893

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

Canal in Bruges

1881-1959

Wilfred Byron Shaw

drypoint on paper

Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

Canal in Holland, near Rotterdam (Winter)

1875

Johan Barthold Jongkind

etching on laid paper

The Grand Canal, Venice

1927

Louis Conrad Rosenberg

drypoint on paper

Vitré—The Canal

1893

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

The Embroidered Curtain

1889

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

Steps, Amsterdam

1889

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

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The UMMA Collection