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The UMMA Collection

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Artwork Type:
Calligraphy: “The Ocean of Good Fortune”
circa 1660-1709
Yueshan Daozong (J. Etsuzan Dôshû; Ôbaku Etsuzan)
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Mei (Purity)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Untitled (Calligraphy)
20th century
Ohshu Chiyokura
ink on paper
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Daylilies
circa 1754-1756
Jin Nong
ink and color on paper
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Lotus Blossom, one of a pair of album leaves
circa 1754-1756
Jin Nong
album leaf, ink and color on paper
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Black Nagoya-style obi in sateen weave (shusu) with embroidered plum blossom designs
1930s-1950s
Japanese
silk damask with woven pattern and metallic thread embroidery
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Black Nagoya-style obi with embroidered pine needle designs in gold- and copper-colored metallic threads
1960s
Japanese
black silk damask with mettalic thread embroidery
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Beige Nagoya-style obi with landscapes painted by Takizawa Kôyû
circa 1940-1960
Sensh
dupioni (tamaito) silk with hand-painted landscape design
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Saga brocade obi with woven designs of poetry-inscribed fans
1940s-1950s
Japanese
silk with appliquéd Saga brocade patches
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