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La Vieille aux Loques
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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La Vieille aux Loques
1858
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on green laid paper
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La Marchande de Moutarde, one of the “Twelve Etchings from Nature,” or the “French Set”
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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Precious Stones, Eglise Notre Dame, Les Andelys
1946
John Taylor Arms; Charles S. White; David Strang
etching on paper
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La Vieille aux Loques (One of the “Twelve Etchings from Nature,” or the “French Set”)
1856-1858
James Abbott McNeill Whistler
etching, printed in black ink on on laid paper
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La Rentrée, no. 15 of a series of 25 prints (The Return)
1878
Charles Emile Jacque
etching and roulette on paper
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Clothes Shop
1937
Charles Locke
lithograph on paper
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Back Bay Houses
1938
Lawrence Kupferman
drypoint on paper
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Brereton Cheshire
1849
Joseph Nash
hand-colored lithograph on paper
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‘Rothenburg Sketches’ XV. Rothenburg Ob der Tauber.
1889
Warren Lombard
pen and ink
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Portal
1874-1940
Charles Huard
etching on paper
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Saint Nicolas des Champs
1924
Samuel Chamberlain
lithograph on paper
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Intérieur du Cénacle – Interior of the Caeneculum
circa 1867-1885
Felix Bonfils
albumen print on paper
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Pulqueria
20th century
Manuel Carrillo
gelatin silver print on paper
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Basket-peddlers at the Porte du Compas-d’Or rue Montorgueil, (Marchands au panier sous la Porte du Compas-d’Or, rue Montorgueuil)
1889; printed late 1890s
Auguste Louis Lepère
wood engraving in black and buff on China paper
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