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Elevation of a Small Domed Church
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Les Boulevards
1867-1947
Pierre Bonnard
color lithograph on paper
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Los Desastres de la Guerra, pl. 48: Cruel lástima! (‘Cruel tale of woe!’)
1810-1820
Francisco José de Goya y Lucientes
burnished etching on paper
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The Moles
circa 1854
Félix Bracquemond
etching on paper
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Figure of a Woman
1841-1893
Albert Joseph Moore
pastel
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Studies for a Portrait Group
1702-1762
Pietro Longhi
black chalk, heightened with white on light buff paper
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Conversation under the Statue, Luxembourg Gardens
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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The Toilet
1878
James Abbott McNeill Whistler
lithotint, with scraping and incising, heightened with black and white crayon on wove paper
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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Finette
1859
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid Japan tissue
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En Plein Soleil, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper
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Young Woman Musing
1878-1954
Augustus John
etching on paper
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At the Piano (The Artist’s Sister, Winifred)
circa 1894-1899
Augustus John
sanguine chalk and eraser on gray prepared paper
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Town Hall Steps
1902-1954
Kenneth Holmes
drypoint on paper
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Death as Savior, number 10 from a series of 10, Opus XI ‘Vom Tode I’
1889
Max Klinger
etching on paper
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