The Collection – Page 1132 – University of Michigan Museum of Art

Free Trade Wharf

1877

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Lindsey Houses

1876-1877

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Florence Leyland

circa 1873

James Abbott McNeill Whistler

drypoint, printed in dark brown ink on laid paper

The Boy

1875-1876

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

The Dam Wood

1874-1875

James Abbott McNeill Whistler

drypoint on ivory laid paper

Shipbuilder’s Yard

1875

James Abbott McNeill Whistler

drypoint, printed in black ink on old laid paper

The Little Forge

1875

James Abbott McNeill Whistler

drypoint on laid paper

Battersea Morn

1877

James Abbott McNeill Whistler

drypoint, printed in brown ink on laid paper

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint, printed in dark brown ink on laid paper

The Storm

1861

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Fanny Leyland

1874

James Abbott McNeill Whistler

drypoint on laid paper

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on laid Japan tissue

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on paper

The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1861

James Abbott McNeill Whistler

drypoint on laid Japan tissue

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint on laid paper

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