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The Dream and Lie of Franco (Sueño y Mentira de Franco). Plate 2.

1937

Pablo Picasso

aquatint and etching on paper

Harlequin, Three-Quarter Head

20th century

Pedro Pruna

pen, colored ink and graphite on tan paper

Au Théâtre-Libre: Antoine dans ‘l’Inquiétude’

1873

Henri de Toulouse-Lautrec

lithograph on paper

Nouveau Langage des Fleurs

1885-1949

Marie Laurencin

drypoint on paper

Death of a Vagabond

1837-1911

Alphonse Legros

etching on paper

Salomé, no. 14 of ‘Saltimbanques’

1905-1913

Pablo Picasso

drypoint on paper

Los Proverbios (also known as “Los Disparates”), plate 18: Dios los cria y ellos se juntan (“God creates them and they join up together,” i.e. “Birds of a feather flock together”)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and burin on paper

1871-1949

Georges Aubert

wood engraving on paper

Seated Nude, Back View

1874-1946

Charles Despiau

graphite on paper

La Tauromaquia, plate 20: Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (“The agility and audacity of Juanito Apiñani in [the ring] at Madrid”)

1815-1816

Francisco José de Goya y Lucientes

aquatint and etching on paper

Los Proverbios (also known as “Los Disparates”), plate 16: Sanan cuchilladas mas no maleas palabras (“Wounds heal quicker than hasty words”)

circa 1864-1900

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

Los Proverbios (also known as “Los Disparates”), plate 17: El que no te ama, burlando te difama (“He who does not like thee will defame thee in jest”) or La lealtad (Loyalty)

circa 1864-1900

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

Los Proverbios (also known as “Los Disparates”), plate 13: Donde hay ganas hay maña (“Where there’s a will there’s a way”) or Modo de volar (A way of flying)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, aquatint and drypoint? on paper

Los Proverbios (also known as “Los Disparates”), plate 14: Alegrias antruejo, que mañana seras ceniza (“Rejoice, carnival, for tomorrow thou wilt be ashes”) or Disparate de carnabal (Carnival folly)

circa 1864-1900

Francisco José de Goya y Lucientes

aquatint and etching on paper

Los Proverbios (also known as “Los Disparates”), plate 15: Sin recomendarse a dios ni al diablo (“Without commending himself either to god or the devil”) or Disparate claro (Clear folly)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and lavis on paper

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