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Los Proverbios (also known as “Los Disparates”), plate 5: Reniego al amigo que cubre con las alas y muerde conel pico (“Renounce the friend who covered you with his wings and bites you with his beak”) or Disparate volanted (Flying folly)

circa 1864-1900

Francisco José de Goya y Lucientes

aquatint and etching on paper

circa 1912

Henri Gaudier-Brzeska

ink wash on paper

Villon’s Death Ballad, 1

1945

Rico Lebrun

lithograph on paper

Los Proverbios (also known as “Los Disparates”), plate 1: Pesa mas que un burro muerto (“Heavier than a dead donkey”) or Disparate femenino (Feminine folly)

circa 1864-1900

Francisco José de Goya y Lucientes

etching and aquatint with drypoint on paper

Los Proverbios (also known as “Los Disparates”), plate 2: Por temor no pierdas honor (“Do not lose honour through fear”) or Disparate de miedo (Folly of Fear)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and drypoint? on paper

Los Proverbios (also known as “Los Disparates”), plate 3: Andarse por las ramas (“To go amongst the branches,” i.e. “to talk through one’s hat”) or Disparate ridiculo (Ridiculous folly)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, aquatint and drypoint on paper

20th century

George Grosz

brush and ink on cream-colored paper

1927

Otto Mueller

color lithograph on paper

1926

Georges Rouault

lithograph on paper

Baby: Scroll (Kakemono)

1930

Isamu Noguchi

brush, ink and wash on white paper

Adam, le plus vieux paysan de la […] : “Passion” Plate VII (p. 64)

1936

Georges Rouault

etching on paper

Petite Banlieue: Le Chien devant la Porte

1929

Georges Rouault

lithograph on paper

Cirque de l’Etoile Filante. Plate XIII: Le Renchéri (p.106)

1935

Georges Rouault

color etching on paper

Hunger. No. 4 from the Series of Ten Prints, ‘Die Hölle’ (Hell).

1919

Max Beckmann

lithograph on paper

Portrait of Zeretelli II

1923

Max Beckmann

lithograph on paper

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