The Collection – Page 14 – University of Michigan Museum of Art

Peasant Walking with a Stick

1844-1900

Wilhelm Leibl

etching on paper

Les Beaux Jours de la Vie. Pl. 74: Le format de plus en plus monstre

1845

Honoré Victorin Daumier

lithograph on paper

Los Desastres de la Guerra, pl. 48: Cruel lástima! (‘Cruel tale of woe!’)

1810-1820

Francisco José de Goya y Lucientes

burnished etching on paper

Flower Market

1870-1928

Ferdinand Schmutzer

etching on paper

Portrait of Carlyle

1840-1906

Richard Josey

mezzotint on chine applique

Lucien Fabre

1868-1940

Edouard Vuillard

lithograph on paper

Portrait of Renoir

1867-1947

Pierre Bonnard

etching on paper

Gants de Suède

1890

James Abbott McNeill Whistler

transfer lithograph on laid paper

The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in warm black ink on laid paper, trimmed to platemark

Irving as Philip of Spain, No. 1

circa 1876-1877

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Becquet, one of the “Sixteen Etchings,” or the “Thames Set”

1859

James Abbott McNeill Whistler

etching and drypoint on laid paper

Whistler with a hat

1859

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

The Title to the French Set; original paper wrappers of the set, one of the ‘Twelve Etchings from Nature,’ or the ‘French Set”

1858

James Abbott McNeill Whistler

etching and drypoint on on blue laid paper

The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set

1856-1858

James Abbott McNeill Whistler

etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper

La Rétameuse, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white laid plate paper

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