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Peasant Walking with a Stick
1844-1900
Wilhelm Leibl
etching on paper
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Les Beaux Jours de la Vie. Pl. 74: Le format de plus en plus monstre
1845
Honoré Victorin Daumier
lithograph on paper
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Los Desastres de la Guerra, pl. 48: Cruel lástima! (‘Cruel tale of woe!’)
1810-1820
Francisco José de Goya y Lucientes
burnished etching on paper
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Flower Market
1870-1928
Ferdinand Schmutzer
etching on paper
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Portrait of Carlyle
1840-1906
Richard Josey
mezzotint on chine applique
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Lucien Fabre
1868-1940
Edouard Vuillard
lithograph on paper
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Portrait of Renoir
1867-1947
Pierre Bonnard
etching on paper
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Gants de Suède
1890
James Abbott McNeill Whistler
transfer lithograph on laid paper
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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Irving as Philip of Spain, No. 1
circa 1876-1877
James Abbott McNeill Whistler
drypoint, printed in black ink on laid paper
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Becquet, one of the “Sixteen Etchings,” or the “Thames Set”
1859
James Abbott McNeill Whistler
etching and drypoint on laid paper
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Whistler with a hat
1859
James Abbott McNeill Whistler
drypoint, printed in black ink on laid paper
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The Title to the French Set; original paper wrappers of the set, one of the ‘Twelve Etchings from Nature,’ or the ‘French Set”
1858
James Abbott McNeill Whistler
etching and drypoint on on blue laid paper
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The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set
1856-1858
James Abbott McNeill Whistler
etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper
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La Rétameuse, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white laid plate paper
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