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Artwork Type:
Water Lilies, Tunisia
2000
Erica Lennard
gelatin silver print on paper
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Cantley Wherries Waiting for the Turn of the Tide, plate XIV from “Life and Landscape on the Norfolk Broads”
1887
Peter Henry Emerson
platinum print on paper
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Title Tissue Overleaf for Rushy Shore, plate XXXV from “Life and Landscape on the Norfolk Broads”
1887
Peter Henry Emerson
lithograph on paper
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The Rouge Study #1, Dearborn, MI
1992; printed 1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #2, Dearborn, MI
1992; printed 1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #4, Dearborn, MI
1992; printed 1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #5, Dearborn, MI
1992; printed 1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #6, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #7, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #8, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #9, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #10, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #11, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #12, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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The Rouge Study #13, Dearborn, MI
1993
Michael Kenna
sepia-toned gelatin silver print on paper
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