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The UMMA Collection

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The Mendicant
circa 1857-1858
Jean-François Millet
black chalk on off-white paper
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Mother and Child
1894
Johan Albertus Neuhuys
watercolor on white paper
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Van Rysselberghe
circa 1898
Edouard Vuillard
etching on paper
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Hamlet et Ophélie (Act III, Scene 1); from the series of 16 prints, Hamlet
circa 1834-1843
Eugène Delacroix
lithograph on chine appliqué
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Old Knight (Vieux Chevalier)
1896
Odilon Redon
lithograph on paper
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The Butcher’s Dog
1896
James Abbott McNeill Whistler
transfer lithograph on wove paper
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Vitré—The Canal
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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Rue de Vannes, Paris
circa 1892-1893
James Abbott McNeill Whistler
etching, printed in black ink on laid Japanese tissue
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The Embroidered Curtain
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Steps, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Balcony, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
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Cottage Door
1886
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
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Doorway and Vine, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching on paper
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Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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