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The UMMA Collection

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Killiecrankie, The Right Side of the Ravine, from “Ecosse”
September 7, 1869
James Valentine
albumen print on paper
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Castle Urguhart (?), Loch Ness, from “Ecosse”
September 6, 1869
James Valentine
albumen print on paper
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The Clamshell Cave, Staffa, from “Ecosse”
September 3, 1869
James Valentine
albumen print on paper
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Photograph Album
19th century
English
168 albumen prints mounted in leather bound album
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Deep Pines at Sacred Valley (View of Linggu Temple) from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)
late 17th century - 18th century
Gao Cen
album leaf, ink and color on paper
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Landscape, Lakes and Mountains to the Farthest Distance
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the Style of Beiyuan (a pseudonym of Tung Yüan of the Five Dynasties (907-960); Fourth page of a six-leaf album
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the style of Bai Shiweng (a pseudonym of Shen Zhou, 1427-1509)
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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The Sea is Making
n.d.
Charles Herbert Woodbury
etching on paper
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Island of Kyushu, Japan, from “The Creation”
1981
Ernst Haas
dye transfer print on paper
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Glendale, California, from “The Fault Zone”
1979
Joe Deal
gold-toned gelatin silver print on paper
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Soboba Hot Springs, California (II), from “The Fault Zone”
1979
Joe Deal
gold-toned gelatin silver print on paper
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The Lofty and Untrammeled Hermit, in the style of Wang Meng
1600-1620
Hou Mougong
hanging scroll, ink and color on paper
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The Niagara River and Suspension Bridge
circa 1880
Charles Nicholas Miller
albumen print on paper
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Travelers on a Mountain Pass
circa 1490-1508
Wu Wei
Hanging Scroll, ink and light color on silk
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