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The UMMA Collection

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Artwork Type:
Resetting German Clocks Forward to Moscow Time
1945; printed 2003
Dmitri Baltermants
gelatin silver print on paper
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A Dream
1914
George Grosz
pen, ink and wash on off-white laid paper
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Jacob’s Dream
17th century
French
black chalk
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Plundering of a Farm, No. 5 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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The Hangman’s Tree, No. 11 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
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Les Chaumières (after a painting by Van Goyen, 1633?)
1827-1886
Maxime Lalanne
etching and drypoint on paper
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Les Chaumières
1827-1886
Maxime Lalanne
etching and drypoint on paper
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The Lamentation
1515-1517
Hans Baldung Grien
woodcut on paper
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Descent from the Cross
1440-1535
Ugo da Carpi
chiaroscuro woodcut on laid paper
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The Hay Barn
1920
Childe Hassam
etching on paper
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The Deposition
1882-1940
Eric Gill
wood engraving on paper
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Liverdun, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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Haystack
1941
Eleanor Coen
lithograph on paper
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W. Jones, Lime-burner, Thames Street, one of the “Sixteen Etchings,” or the “Thames Set”
1859
James Abbott McNeill Whistler
etching and drypoint on laid Japan tissue
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Parody of Thirty-six Verses: Ichikawa Kodanji IV as Yaoya Oshichi (as the Green-grocer’s Daughter)
1856
Utagawa Kunisada
woodblock print on paper
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