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The UMMA Collection

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The Bois de Boulogne (The Cascades)
1857
Félix Bracquemond
etching on thin paper, laid down on thicker paper
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A Summerland
1831
David Lucas
mezzotint on paper
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Algiers
20th century
Hermine David
watercolor and conte crayon on paper
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Los Proverbios (also known as “Los Disparates”), plate 18: Dios los cria y ellos se juntan (“God creates them and they join up together,” i.e. “Birds of a feather flock together”)
circa 1864-1900
Francisco José de Goya y Lucientes
etching, burnished aquatint and burin on paper
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Los Proverbios (also known as “Los Disparates”), plate 16: Sanan cuchilladas mas no maleas palabras (“Wounds heal quicker than hasty words”)
circa 1864-1900
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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Los Proverbios (also known as “Los Disparates”), plate 17: El que no te ama, burlando te difama (“He who does not like thee will defame thee in jest”) or La lealtad (Loyalty)
circa 1864-1900
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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Los Proverbios (also known as “Los Disparates”), plate 14: Alegrias antruejo, que mañana seras ceniza (“Rejoice, carnival, for tomorrow thou wilt be ashes”) or Disparate de carnabal (Carnival folly)
circa 1864-1900
Francisco José de Goya y Lucientes
aquatint and etching on paper
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Los Proverbios (also known as “Los Disparates”), plate 15: Sin recomendarse a dios ni al diablo (“Without commending himself either to god or the devil”) or Disparate claro (Clear folly)
circa 1864-1900
Francisco José de Goya y Lucientes
etching, burnished aquatint and lavis on paper
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Los Proverbios (also known as “Los Disparates”), plate 11: “Two heads are better than one” or Disparate pobre (Poor folly)
circa 1864-1900
Francisco José de Goya y Lucientes
etching, burnished aquatint, drypoint and burin on paper
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Los Proverbios (also known as “Los Disparates”), plate 8: So el sayal, hay al (“There is something beneath the sackcloth,” i.e. “you can’t judge a man by his clothes”) or Los ensacados (The men in sacks)
circa 1864-1900
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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The Spectacle Seller
circa 1647-1652
Adriaen Jansz van Ostade
etching, drypoint and engraving on paper
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Le Boulevard des Italiens (small plate)
1908
Jean François Raffaëlli
color drypoint on Japan paper
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Palais des Papes, Avignon
1928
James Patrick
etching on paper
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The Aurelian Walls
1927
Louis Conrad Rosenberg
drypoint on paper
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Sokotra
20th century
Carl Hofer
drypoint on paper
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