The Collection – Page 212 – University of Michigan Museum of Art

Thames Warehouses, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1859

James Abbott McNeill Whistler

etching on laid paper

Eagle Wharf (Tyzac, Whiteley & Co.), One of the ‘Sixteen Etchings,’ or the ‘Tham

1859

James Abbott McNeill Whistler

etching on laid tissue

The Kitchen, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

The Kitchen, one of the “Twelve Etchings from Nature,” or the “French Set”

1856-1858

James Abbott McNeill Whistler

etching on printed on Japan paper, laid down on white wove plate paper

The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set

1856-1858

James Abbott McNeill Whistler

etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper

Street at Saverne, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper

Street at Saverne, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

La Vieille aux Loques

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

La Vieille aux Loques

1858

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on green laid paper

La Marchande de Moutarde, one of the “Twelve Etchings from Nature,” or the “French Set”

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

En Plein Soleil, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper

Liverdun, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

La Mère Gérard, one of the “Twelve Etchings from Nature,” or the “French Set”

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

Fumette, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching and drypoint on Japan paper, laid down on white wove plate paper

La Rétameuse, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white laid plate paper

Today’s Hours:

Address:

Today’s Hours:

Address:

The UMMA Collection