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Arabian Nights. PL. 8. Abduhllah the Fisherman and Abdullah the Merman. “When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 8. Abduhllah the Fisherman and Abdullah the Merman. “When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 9. Abdullah the Fisherman and Abdullah the Merman. ” Abdullah discovered before him and on his right and left mountains of water and solaced himself by gazing thereon and on the various sort of fish. Some of them favored buffaloes, others oxen and others dogs and yet others human beings…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 9. Abdullah the Fisherman and Abdullah the Merman. “Abdullah discovered before him and on his right and left mountains of water and solaced himself by gazing thereon and on the various sort of fish. Some of them favored buffaloes, others oxen and others dogs and yet others human beings…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 10. The Tale of the Ebony Horse. “Now the King loved science and geometry and one festival day as he sat on his kingly throne there came in to him three wise men”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 11. The Tale of the Ebony Horse. “He went up to the couch and found a young lady asleep, chemised with her hair as she were the full moon rising over the Eastern horizon…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 11. The Tale of the Ebony Horse. “He went up to the couch and found a young lady asleep, chemised with her hair as she were the full moon rising over the Eastern horizon…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 12. The Tale of the Ebony Horse. “Mounting the ebony horse he took her up behind him and made her fast to himself, binding her with strong bonds; after which he turned the shoulder-pin of ascent, and the horse rose him high in air…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 12. The Tale of the Ebony Horse. “Mounting the ebony horse he took her up behind her with strong bonds; after which he turned the shoulder-pin of ascent, and the horse rose with him high in air…”
1948
Marc Chagall
color lithograph on paper
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Arabian Nights. Pl. 13. Shaharazad’s Night. “Then said the king in himself, ‘By Allah, I will not slay her, until I have heard the next of her tale.’ So they slept the rest of that night in mutual embrace till day finally brake…”
1948
Marc Chagall
color lithograph on paper
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Untitled, from “The New York Collection for Stockholm: 30 Artists”
1973
Lee Bontecou
screenprint on paper
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Untitled, from “The New York Collection for Stockholm: 30 Artists”
1973
Robert Breer
lithograph on paper
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Untitled
1973
John A. Chamberlain; Experiments in Art and Technology; Styria Studio
lithograph on mylar
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Untitled
1973
Walter De Maria; Experiments in Art and Technology; Styria Studio
gelatin silver print on paper
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Untitled, from “The New York Collection for Stockholm: 30 Artists”
1973
Mark di Suvero
silkscreen on paper
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