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The UMMA Collection

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Pierson College 9, from “Twelve Etchings of Yale”
20th century
Samuel Chamberlain
drypoint on paper
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Payne Whitney Gymnasium 8, from “Twelve Etchings of Yale”
20th century
Samuel Chamberlain
drypoint on paper
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Sheffield Scientific School Tower 10, from “Twelve Etchings of Yale”
1895-1948
Samuel Chamberlain
drypoint on paper
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Sterling Law Buildings 11, from “Twelve Etchings of Yale”
1895-1948
Samuel Chamberlain
drypoint on paper
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Yale University Library Entrance Portal 12, from “Twelve Etchings of Yale”
1895-1948
Samuel Chamberlain
drypoint on paper
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Masada
1985
Raymond Moretti
book
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Landscape, Lakes and Mountains to the Farthest Distance
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the Style of Ju Ran (active 960-980)
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the Style of Beiyuan (a pseudonym of Tung Yüan of the Five Dynasties (907-960); Fourth page of a six-leaf album
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape Painted on New Year’s Day, 1661
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the style of the Lay Master Xiangguang (Xiangguang jushi)
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Landscape in the style of Bai Shiweng (a pseudonym of Shen Zhou, 1427-1509)
1661
Wang Jian
album leaf, ink and color on gold-flecked paper
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Text Page of a six-leaf album
1661
Wang Jian
album leaf, ink on gold-flecked paper
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Pulsar
1974
Sam Gilliam; The Perishable Press Limited
screenprint with collage and stitching on paper
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XXIV Emblemata
1931-1932
M.C. Escher
woodcuts on beige, medium weight wove paper
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