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The UMMA Collection

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Yes he broke the pot (Si quebró el cantaro)
1799
Francisco José de Goya y Lucientes
etching, aquatint and drypoint on paper
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They’ve already got a seat (i.e. bottom) (Ya tienen asiento)
1799
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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Which of them is the more overcome? (Quien mas rendido?)
1799
Francisco José de Goya y Lucientes
etching, aquatint and drypoint on paper
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Hush (Chiton)
1799
Francisco José de Goya y Lucientes
etching, aquatint and burin on paper
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That certainly is being able to read (Esto si que es leer)
1799
Francisco José de Goya y Lucientes
etching, burnished aquatint and drypoint on paper
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They are hot (Estan calientes)
1799
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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What a sacrifice! (Que sacrifico!)
1799
Francisco José de Goya y Lucientes
etching, burnished aquatint and drypoint on paper
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Pretty teachings (Bellos consejos)
1799
Francisco José de Goya y Lucientes
etching, burnished aquatint and burin on paper
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It is nicely stretched (Bien tirada está)
1799
Francisco José de Goya y Lucientes
etching, burnished aquatint and burin on paper
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And his house is on fire (Ysele quema la casa)
1799
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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They say yes and give their hand to the first comer (El si pronuncian y la mano alagran al primero que llega)
1799
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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There they go plucked (i.e. fleeced) (Ya van desplumados)
1799
Francisco José de Goya y Lucientes
etching, burnished aquatint and drypoint on paper
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How they pluck her! (¡Qual la descanonan!)
1799
Francisco José de Goya y Lucientes
etching and burnished aquatint on paper
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Balzac, The Silhouette, 4 a.m.
1908
Alfred Stieglitz; Edward Steichen
photogravure on paper
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Francisco Goya y Lucientes, Painter (Francisco Goya y Lucientes, Pintor)
1799
Francisco José de Goya y Lucientes
etching, aquatint, drypoint and burin on paper
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