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The UMMA Collection

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Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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Doorway and Vine, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching on paper
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
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The Little Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in brown ink on laid paper, trimmed to platemark
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The Traghetto, No. 1
1879-1880
James Abbott McNeill Whistler
etching, printed in warm black ink on laid Japan paper
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Pickle Herring Wharf
circa 1878
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Wych Street
1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Free Trade Wharf
1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Shipbuilder’s Yard
1875
James Abbott McNeill Whistler
drypoint, printed in black ink on old laid paper
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on laid Japan tissue
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on paper
To add this object to a group, please log in, or create an account.