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The Little Lagoon, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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Pickle Herring Wharf
circa 1878
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Free Trade Wharf
1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Lindsey Houses
1876-1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Shipbuilder’s Yard
1875
James Abbott McNeill Whistler
drypoint, printed in black ink on old laid paper
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Battersea Morn
1877
James Abbott McNeill Whistler
drypoint, printed in brown ink on laid paper
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on laid Japan tissue
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on paper
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Billingsgate
1859
James Abbott McNeill Whistler
etching, printed in black ink on laid Japan paper
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Thames Warehouses, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’
1859
James Abbott McNeill Whistler
etching on laid paper
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Eagle Wharf (Tyzac, Whiteley & Co.), One of the ‘Sixteen Etchings,’ or the ‘Tham
1859
James Abbott McNeill Whistler
etching on laid tissue
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Laguna, Venice (View of Shipping from the Riva)
1880
Frank Duveneck
etching on paper
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In Dry Dock
1928
Arthur Briscoe
etching on paper
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Théodore de Banville tourné à gauche (Second plate)
1874
Édouard Manet
etching and aquatint on paper
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No. 11 of the 12 print series
1788-1789
Chinese
engraving on paper
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