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Fontaine de la Villa Sacchetti
1778
Jean-François Janinet
etching and lavis-manner engraving printed in color on paper
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Intérieur de la Cour de l’…cole des Beaux-Arts
1849-1911
Charles Toussaint
etching on paper
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Maxmilian and the Knights of St. George Vowing a Crusade against the Turks
1480-1538
Albrecht Altdorfer
woodcut on paper
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Palace Hall with a Staircase
mid 18th century
French
pen and black and brown ink with gray wash
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‘Juive d’Alger’ and ‘Une Rue à Alger’, from Le Livre d’Or des Contemporains, Par
1838 (n.d.)
Narcisse Desmadryl; Eugène Delacroix
lithograph on paper
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No. 6 of a series of 12 Views of Rome and Venice
1621-1691
Isräel Silvestre
etching on paper
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Arco de la Sangre: Toledo, Spain
20th century
W. Keesey
graphite
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Views of Rome. 79. Entrance Door to Part of the Villa Called the ‘Sette Bassi’ o
1766
Giovanni Battista Piranesi
etching on paper
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University of Chicago. Plate No. 3
1935
Redmond Wright
etching on paper
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Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Doorway, from the “Twelve Etchings”, or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching, drypoint, and roulette on laid paper on laid paper
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The Traghetto, No. 1
1879-1880
James Abbott McNeill Whistler
etching, printed in warm black ink on laid Japan paper
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The Palace
1916
Frederick Griggs
etching on paper
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L’Ile de la Cité, Paris
1947
John Francis Minton
pen, ink wash and crayon on white paper
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