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Fishing at Wuyi, from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)

late 17th century - 18th century

Gao Cen

album, ink and color on paper

Magnificent View of Lion Peak (Shi ling), from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)

late 17th century - 18th century

Gao Cen

album, ink and color on paper

Qi Villa at East Mountain, from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)

late 17th century - 18th century

Gao Cen

album, ink and color on paper

Light Tower at Baoen Temple, from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)

late 17th century - 18th century

Gao Cen

album, ink and color on paper

Number 5, from “Numbers”

1968

Robert Indiana

screenprint on paper

Number 7, from “Numbers”

1968

Robert Indiana

screenprint on paper

Number 8, from “Numbers”

1968

Robert Indiana

screenprint on paper

Number 9, from “Numbers”

1968

Robert Indiana

screenprint on paper

Variations on Clark’s Cove

1962

Grace Hartigan

watercolor and collage on paper

Umarmung (The Embrace)

1922

Max Beckmann

drypoint on paper

n.d.

Max Jacob

lithograph on paper

1900-1971

Ejagham

wood, antelope skin, and pigment

1929-1967

Frede Vidar

lithograph on paper

1970

Vincent Longo

etching on Arches paper

Composition: from ‘Octet Suite’

1969

Garo Zareh Antreasian

lithograph on paper

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