Skip to main content

The UMMA Collection

Search the Collection:

Not sure what to search for? Try calligraphy, Helen Frankenthaler, or browse trending groups

Request an image for publication or research.

Filter

Rubbing from the pagoda at Mt. Ch’i-hsia, Nanking

20th century

Chinese

ink on paper

The Snake Charmer

1907-1908

Oskar Kokoschka

tempera on wove paper

1975

Brice Marden

graphite and wax on Arches heavy white paper

Les monstres imaginaires

1909-1958

Hans Fischer

etching on paper

The Sea Monster

circa 1498

Albrecht Dürer

engraving on paper

Bestiaire. IV. Le Sang et la Race

1945

André Masson

lithograph on paper

The Labors of Hercules: Nessus and Deianira (one of the set of 13 prints)

1550

Heinrich Aldegrever

engraving on paper

The Labors of Hercules: The Dragon of the Garden of the Hesperides (one of the s

1550

Heinrich Aldegrever

engraving on paper

The Labors of Hercules: The Lernean Hydra (one of the set of 13 prints)

1550

Heinrich Aldegrever

engraving on paper

Four Episodes in the Life of a Saint

16th century

Andrea Boscoli

pen, ink, wash and black chalk, laid down

Jina venerated by a monk, Harihara, Garuda, and Nandi from Digambara Jain manuscript

circa 18th century

Artist Unknown, India, Rajasthan, Sirohi School

ink, opaque watercolor, and gold on paper

Oceanus (from a Series of 6 Mythological Figures)

circa 1589-1590

Hendrick Goltzius

chiaroscuro woodcut on laid paper

Los Proverbios (also known as “Los Disparates”), plate 17: El que no te ama, burlando te difama (“He who does not like thee will defame thee in jest”) or La lealtad (Loyalty)

circa 1864-1900

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

Los Proverbios (also known as “Los Disparates”), plate 7: La que mal marida nunca le falta que diga (“She who is ill wed never misses a chance to say no”) or Disparate matrimonial (Matrimonial folly)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, aquatint and drypoint on paper

Los Proverbios (also known as “Los Disparates”), plate 5: Reniego al amigo que cubre con las alas y muerde conel pico (“Renounce the friend who covered you with his wings and bites you with his beak”) or Disparate volanted (Flying folly)

circa 1864-1900

Francisco José de Goya y Lucientes

aquatint and etching on paper