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Bound volume of 76 prints by and after George Cruikshank (Frank Farleigh – proof
1782-1878
George Cruikshank
etching on paper
Le Marchand de Casseroles
circa 1847-1851
Paul Gavarni
lithograph on chine applique
I Want You for U.S. Army – Nearest Recruiting Station
1917
James Montgomery Flagg
color lithograph on paper
The Parable of the Prodigal Son (set of 4 prints and title page)
1881
James Jacques Joseph Tissot
etching and drypoint on paper
Man in a Hat (The Good Candidate Boudoubudabou) form Reincarnations of Pere Ubu
1928
Georges Rouault
etching and aquatint with roulette on paper
One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
Le Bouquet
1852-1931
Jean-Louis Forain
drypoint and etching on laid cream paper
Le Café de la Nouvelle Athènes
circa 1876
Jean-Louis Forain
etching and drypoint on cream laid paper
Les Representans Representes Pl. 40 Buffet (Louis-Joseph Buffet) ‘Ministre du co
1849
Honoré Victorin Daumier
lithograph on paper
Les Representans Representes Pl. 45 Leon Faucher ‘Les ennemis politiques…Fauch
1849
Honoré Victorin Daumier
lithograph on paper
Costume for ‘Coppelia’ by Delibes: Der Bürgermeister
1929
Georg Kirsta
gouache heightened with gold on paper
Three Men at a Table
19th century
George Cruikshank
pen, ink and watercolor
Une Bonne Fin de Mois, Plate 8 from the series Les Beaux Jours de la Vie (from “Le Charivari”)<br />– J’ai gagné cent mille francs<br />– Vieux gueux…va !
1844
Honoré Victorin Daumier
lithograph on cream wove paper