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Bound volume of 76 prints by and after George Cruikshank (Frank Farleigh – proof
1782-1878
George Cruikshank
etching on paper
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Le Marchand de Casseroles
circa 1847-1851
Paul Gavarni
lithograph on chine applique
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I Want You for U.S. Army – Nearest Recruiting Station
1917
James Montgomery Flagg
color lithograph on paper
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The Parable of the Prodigal Son (set of 4 prints and title page)
1881
James Jacques Joseph Tissot
etching and drypoint on paper
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Man in a Hat (The Good Candidate Boudoubudabou) form Reincarnations of Pere Ubu
1928
Georges Rouault
etching and aquatint with roulette on paper
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One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
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Le Bouquet
1852-1931
Jean-Louis Forain
drypoint and etching on laid cream paper
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Le Café de la Nouvelle Athènes
circa 1876
Jean-Louis Forain
etching and drypoint on cream laid paper
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Les Representans Representes Pl. 40 Buffet (Louis-Joseph Buffet) ‘Ministre du co
1849
Honoré Victorin Daumier
lithograph on paper
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Les Representans Representes Pl. 45 Leon Faucher ‘Les ennemis politiques…Fauch
1849
Honoré Victorin Daumier
lithograph on paper
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Costume for ‘Coppelia’ by Delibes: Der Bürgermeister
1929
Georg Kirsta
gouache heightened with gold on paper
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Three Men at a Table
19th century
George Cruikshank
pen, ink and watercolor
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Une Bonne Fin de Mois, Plate 8 from the series Les Beaux Jours de la Vie (from “Le Charivari”)<br />– J’ai gagné cent mille francs<br />– Vieux gueux…va !
1844
Honoré Victorin Daumier
lithograph on cream wove paper
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