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The UMMA Collection

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Jacob Maris

etching on paper

1926

Alfred Hutty

graphite on white paper

Windmill and Storm, Santa Fe, New Mexico

1965

Liliane De Cock

gelatin silver print on paper

1877

Maxime Lalanne

etching and drypoint on paper

Amoenissimae Effigies. Plate 20. Zu Wesel.

1635

Wenceslaus Hollar

etching on paper

Amoenissimae Effigies. Plate 17. Zu Cîllen

1635

Wenceslaus Hollar

etching on paper

Rideau de Peupliers – Vendée

1911

Auguste Louis Lepère

etching on paper

1904

Hedley Fitton

etching on paper

1939

Joseph Shapiro

lithograph on paper

My First Etching

1916

Warren Lombard

etching on paper

My First Etching

1916

Warren Lombard

etching on paper

A Traveller Stopt at a Widow’s Gate

19th century

George Cruikshank

pen, ink, brush, wash and graphite

A Traveller Stopt at a Widow’s Gate

1782-1878

George Cruikshank

color etching on paper

TOP: Fishermen with the Inhauler of the Nets at the Town’s Shore (Fischer beim Einholen der Netze am Ufer vor der Stadt), sheet 4 from the folio 12 Views of Normandy (XII Vues de la Normandie) BOTTOM: River Landscape with Four Men Encamping on a Rock (Flußlandschaft mit vier auf einem Fels lagernden Männern), sheet 5 from the folio 12 Views of Normandy (XII Vues de la Normandie)

Franz Edmund Weirotter

engraving in black ink on laid paper

TOP: A Group of People Talking before the City Wall at the Edge of the Seine (Vor der Stadtmauer am Seine-Ufer diskutierende Menchengruppe), originally sheet 2 of Views of the Seine (Vues de la Seine) BOTTOM: In the Adriani Villa (In der Villa Adriani), originally sheet 11 in the folio First Folio of Regions and Old Fragmented Edifices (Erste Folge von Gegenden und Bruchstücken Alter Gebaeude)

1761-1765

Franz Edmund Weirotter

engraving in black ink on laid paper