The Collection – Page 1131 – University of Michigan Museum of Art

Doorway and Vine, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching on paper

San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in black ink on wove paper

The Little Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in brown ink on laid paper, trimmed to platemark

The Little Lagoon, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

The Doorway, from the “Twelve Etchings”, or the “First Venice Set”

1879-1880

James Abbott McNeill Whistler

etching, drypoint, and roulette on laid paper on laid paper

The Traghetto, No. 1

1879-1880

James Abbott McNeill Whistler

etching, printed in warm black ink on laid Japan paper

Pickle Herring Wharf

circa 1878

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Irving as Philip of Spain, No. 1

circa 1876-1877

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Whistler with the White Lock

1879

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on pale green laid paper

Wych Street

1877

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Sir Garnet Wolseley

1877

James Abbott McNeill Whistler

drypoint, printed in black ink with grey wash on laid paper

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