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The UMMA Collection

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Leaf from a Glossed Bible (Pauline Letter with Commentary; Epistle to the Thessalonians)
circa 1175-1200
French
ink, tempera and gold on parchment
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Leaf from a Bible (Book of Paralipomenon)
13th century
French
ink on parchment
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Flywhisk
circa 1920
Kuba
ivory, wood, copper wire, beads, and animal skin with hair
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Textile Fragment
circa 1920
Kuba
raffia palm fiber
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Skirt
circa 1950
Kuba
raffia, beads, cowrie shells, and fiber
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The Sphinx, Plate 1 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on off-white wove paper
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The Childhood of Oedipus, Plate 2 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on off-white wove paper
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The Slaying of Laius, Plate 3 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on off-white wove paper
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The Riddle, Plate 4 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on off-white wove paper
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The Marriage, Plate 5 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on off-white wove paper
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Oedipus at Colonus, Plate 6 from ‘The Myth of Oedipus’
1944
Kurt Seligmann
etching on Handmade J. Whatman
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Light of Impassable Decay (Lumière infranchissable pourriture)
1964
Max Ernst
color etching and aquatint on off-white wove paper
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Winged beast (mythical animal): support for post
20th century
Chinese
bronze
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Portrait of August Bolte (Portrait Auguste Bolte), from Kurt Schwitters, “Auguste Bolte”
1967
Max Ernst
lithograph on chine collé
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Raffia Textile Panel
circa 1970
Kuba
raffia palm fiber
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