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Panel Decoration with Berms
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Panel Decoration with Detail of a Herm
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Elevation of a Small Domed Church
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Studies for Three Ornamental Panels with Death’s Heads as Motifs
1746-1809
Giuseppe Barberi
brown ink with ink wash
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Elevation of an Altar
1746-1809
Giuseppe Barberi
brown ink with ink wash on white paper
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Details of an Arabesque Frieze with Half-Figures
1746-1809
Giuseppe Barberi
brown ink with ink wash
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Elevation and Ground Plan of a Small Temple
1744-1817
Giacomo Quarenghi
graphite, pen and black ink with, blue and brown wash, with ink framing line
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Designs for Coffee Pots
1746-1809
Giuseppe Barberi
brown ink with ink wash
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Painted Wall Decoration for a Bedroom, with Alternative Suggestions
mid 18th century
Italian
pen and brown ink with watercolor
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Study for Sculpture: Sea Sentinel
1953
Theodore Roszak
ink and wash on white paper
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Door Design
1858-1925
Lovis Corinth
graphite on white paper
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Studies for a Portrait Group
1702-1762
Pietro Longhi
black chalk, heightened with white on light buff paper
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Nocturne: Salute
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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