The Collection – Page 14 – University of Michigan Museum of Art

Panel Decoration with Berms

1746-1809

Giuseppe Barberi

pen and brown ink with ink wash

Panel Decoration with Detail of a Herm

1746-1809

Giuseppe Barberi

pen and brown ink with ink wash

Elevation of a Small Domed Church

1746-1809

Giuseppe Barberi

pen and brown ink with ink wash

Studies for Three Ornamental Panels with Death’s Heads as Motifs

1746-1809

Giuseppe Barberi

brown ink with ink wash

Elevation of an Altar

1746-1809

Giuseppe Barberi

brown ink with ink wash on white paper

Details of an Arabesque Frieze with Half-Figures

1746-1809

Giuseppe Barberi

brown ink with ink wash

Elevation and Ground Plan of a Small Temple

1744-1817

Giacomo Quarenghi

graphite, pen and black ink with, blue and brown wash, with ink framing line

Designs for Coffee Pots

1746-1809

Giuseppe Barberi

brown ink with ink wash

Painted Wall Decoration for a Bedroom, with Alternative Suggestions

mid 18th century

Italian

pen and brown ink with watercolor

Study for Sculpture: Sea Sentinel

1953

Theodore Roszak

ink and wash on white paper

Door Design

1858-1925

Lovis Corinth

graphite on white paper

Studies for a Portrait Group

1702-1762

Pietro Longhi

black chalk, heightened with white on light buff paper

Nocturne: Salute

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper, trimmed to platem

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