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Notes on Image and Sound, Part II: Bülent Arel “Stereo Electronic Music #1” (Exc
1965
Romas Viesulas
embossed print on paper
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David Singing Before Saul
1946
Otto Dix
colored pastel on medium-weight, coarse brown wove paper
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The Dance of the Fauns
1957
Pablo Picasso
lithograph on paper
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La Melancholia
circa 1647
Giovanni Benedetto Castiglione
etching on thin, slightly textured, beige laid paper, trimmed to platemark
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Leaf from a Choir Book with Nativity
15th century
German
ink and tempera on parchment
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Leaf from a Gradual
circa 1440
Italian
ink and tempera on parchment
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Design for a Fan
circa 1900
Charles Conder
watercolor on parchment
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Unfinished Design for a Painted Ceiling
18th century
Claude Gillot
graphite, ink and watercolor on paper
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Dorigen of Bretaigne Longing for the Safe Return of Her Husband
circa 1870
Edward Burne-Jones
graphite on off-white wove paper
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III. CE QUI DIT LA PLUIE – Cover sheet for printed musical composition (poem by
stone 1895; 20th century
Henri de Toulouse-Lautrec
lithograph with crayon on paper
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The Concert
1773
Augustin de Saint-Aubin; Chez Chéreau; Chez Chéreau
etching and engraving on laid paper
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Becquet, one of the “Sixteen Etchings,” or the “Thames Set”
1859
James Abbott McNeill Whistler
etching and drypoint on laid paper
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The Music Room
1858
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on wove paper
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At the Piano (The Artist’s Sister, Winifred)
circa 1894-1899
Augustus John
sanguine chalk and eraser on gray prepared paper
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Bach Kantate (Bach Cantata): O Ewigkeit, du Donnerwort.
1914
Oskar Kokoschka
lithograph on paper
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