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The Hangman’s Tree, No. 11 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
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The Gunners, No. 12 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
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The Stake, No. 13 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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The Hospital, No. 15 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
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The Dying by the Roadside, No. 16 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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The Peasants’ Revenge, No. 17 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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Distribution of Rewards, No. 18 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
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Destruction of a Monastery, No. 6 from ‘Les Grandes Misères de la Guerre’
after 1633
Jacques Callot
Etching on paper
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Guerre Civile
1871
Édouard Manet; Imprimerie Lemercier et cie
lithograph on laid China paper
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Cutting from a Secular Manuscript with Perceval Attacked by Twenty Knights
circa 1415
French
tempera on vellum
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No. 9 of the series of 12 prints;
1788-89, Ch'ing Dynasty (1644-1912)
Chinese
engraving on paper
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No. 6 of the series of 12 prints;
1788-89, Ch'ing Dynasty (1644-1912)
Chinese
engraving on paper
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Battle of Samson Against the Philistines
circa 1839
Alexandre-Gabriel Decamps
black chalk and watercolor heightened with white on tan wove paper, mounted on
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Caridad (Charity), plate 27 from Los Desastres de la Guerra
1810
Francisco José de Goya y Lucientes
etching, lavis, drypoint, burin and burnisher on cream wove paper
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A Mighty Fortress Is Our God (Eine feste Burg ist unser Gott), illustration #29 from Timotheus Klein’s Martin Luther (Berlin: Fritz Gurlitt Verlag, 1920-21)
1920
Lovis Corinth
lithograph on handmade beige paper
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