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The Hangman’s Tree, No. 11 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
The Gunners, No. 12 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
The Stake, No. 13 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
The Hospital, No. 15 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
The Dying by the Roadside, No. 16 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
The Peasants’ Revenge, No. 17 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
Distribution of Rewards, No. 18 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
Etching on paper
Destruction of a Monastery, No. 6 from ‘Les Grandes Misères de la Guerre’
after 1633
Jacques Callot
Etching on paper
Guerre Civile
1871
Édouard Manet; Imprimerie Lemercier et cie
lithograph on laid China paper
Cutting from a Secular Manuscript with Perceval Attacked by Twenty Knights
circa 1415
French
tempera on vellum
No. 9 of the series of 12 prints;
1788-89, Ch'ing Dynasty (1644-1912)
Chinese
engraving on paper
No. 6 of the series of 12 prints;
1788-89, Ch'ing Dynasty (1644-1912)
Chinese
engraving on paper
Battle of Samson Against the Philistines
circa 1839
Alexandre-Gabriel Decamps
black chalk and watercolor heightened with white on tan wove paper, mounted on
Caridad (Charity), plate 27 from Los Desastres de la Guerra
1810
Francisco José de Goya y Lucientes
etching, lavis, drypoint, burin and burnisher on cream wove paper
A Mighty Fortress Is Our God (Eine feste Burg ist unser Gott), illustration #29 from Timotheus Klein’s Martin Luther (Berlin: Fritz Gurlitt Verlag, 1920-21)
1920
Lovis Corinth
lithograph on handmade beige paper