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The UMMA Collection

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Artwork Type:
Peristyle, Palace of Diocletian, Spalato
1863-1940
Jane C. Stanley
graphite on white paper
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Lincoln Monument, Union Square
1935
Ernest Fiene
lithograph on paper
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Aquileia, from the portfolio “Architectural Suite, 1966-67”
1965-1967
Ben Nicholson
etching on paper
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St. Paul’s Pavement
1905
Joseph Pennell
etching on cream paper
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Piazza in the Veneto (recto); Three Soldiers? (verso)
19th Century
Italian; Venetian
pen and brown ink with gray wash over black chalk
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Triumph of Mordecai
17th century
Francesco Salviati
black chalk with gray wash
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The Mystic Marriage of St. Catherine, with St. Jerome (?)
17th century
Italian; Bolognese
pen, brown ink, brown wash and black chalk
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Italian Landscape
19th century
German; Austrian
pen, gray ink, gray wash and graphite
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A Miraculous Healing by St. Anthony of Padua (recto) Same drawing in reverse (verso)
1692-1700
Luca Giordano
brush, gray brown wash and black chalk
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St. Anthony of Padua and the Christ Child
1688-1749
Nikolaus Stuber
pen, brown ink, gray wash and graphite
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Scenographic Design
1764-1844
Luigi Canonica
pen and brown ink with brown wash and green watercolor
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Clovelly, North Hill
1850-1894
Francis Bedford
albumen print on paper
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St. Andrews, Baiting the Lines, Fishergate, from “A Series of Calotype Views of St. Andrews”
circa 1916; printed 1943-1946
David Octavius Hill
carbon print on paper
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Strikers and Scabs (or Inferiors and Equals)
1910
John Sloan
crayon, graphite, black ink on tracing paper mounted on rice paper
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Brocaded Silk
circa 1740-1760
French
blue and polychrome silk with metallic thread and flowers and berries
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