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The UMMA Collection

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Rue de Vannes, Paris
circa 1892-1893
James Abbott McNeill Whistler
etching, printed in black ink on laid Japanese tissue
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The Embroidered Curtain
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Steps, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Balcony, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
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The Cock and the Pump
1887
James Abbott McNeill Whistler
etching, printed in warm black ink on laid paper, trimmed to platemark
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Grand’ Place, Brussels
1887
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on old laid paper, trimmed to platemark
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Hotel de Ville, Loches
1888
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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Nocturne: Salute
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Regent’s Quadrant
1880-1881
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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Cottage Door
1886
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
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Fleur de Lys Passage
1887
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Young Tree
1887
James Abbott McNeill Whistler
etching, printed in warm black ink on laid paper, trimmed to platemark
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Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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Ponte del Piovan, One of the “Twenty-six Etchings,” or the “Second Venice Set”
1879-1880
James Abbott McNeill Whistler
etching and drypoint on laid paper
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