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The UMMA Collection

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Artwork Type:
A Visit to the Gallery
1877
Pier Celestino Gilardi
oil on canvas
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Mother’s Kisses: detail of kiss
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: ALTHOUGH HE ANTICIPATED THE SATISFACTIONS OF MATURITY WITH PLEA
1982
Dotty Attie; Solo Press Inc.
lithograph on Arches paper
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Mother’s Kisses: detail of ankle
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: detail of thumb and orb
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K. wove paper
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Mother’s Kisses: NEW EXPERIENCES AWAITED HIM
1982
Dotty Attie; Solo Press Inc.
lithograph on Arches paper
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Mother’s Kisses: detail of navel
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY
1982
Dotty Attie; Solo Press Inc.
lithograph on Arches paper
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Mother’s Kisses: detail of son’s foot
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: detail of foot on fabric
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: detail of hand on breast
1982
Dotty Attie; Solo Press Inc.
lilthograph with watercolor on B.F.K wove paper
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Mother’s Kisses: HE HAD TO AGREE
1982
Dotty Attie; Solo Press Inc.
lithograph on Arches paper
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Mother’s Kisses: detail of Mother’s hand
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: detail of Mother’s profile
1982
Dotty Attie; Solo Press Inc.
lithograph with watercolor on B.F.K wove paper
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Mother’s Kisses: MOTHER WAS FOND OF SAYING SHE ALONE KNEW HOW BEST TO HANDLE HIM
1982
Dotty Attie; Solo Press Inc.
lithograph on Arches white paper
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