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The UMMA Collection

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1987

Donald Sultan

aquatint on Arches paper

Girl, Door, Sea, from “Déja Vu”

1972; printed 1982

Ralph Gibson

gelatin silver print on paper

Profile (Heidelberg, W. Germany), from “Society’s Man”

1962; printed 1984

Algimantas Kezys

gelatin silver print on paper

Karl Struss (Portrait of Karl Struss with Bell & Howell Motion-Picture Camera an

circa 1931

Ethel Struss

linocut on paper

One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”

1995

Kara Walker

aquatint and etching on light cream Somerset Satin wove paper

One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”

1995

Kara Walker

aquatint and etching on light cream Somerset Satin wove paper

One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”

1995

Kara Walker

aquatint and etching on light cream Somerset Satin wove paper

One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”

1995

Kara Walker

aquatint and etching on light cream Somerset Satin wove paper

One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”

1995

Kara Walker

aquatint and etching on light cream Somerset Satin wove paper

mid 18th century

Chinese

pewter, brass and copper

20th century

Nancy Hanes

woodcut on paper

Silhouette, Paris, from “Artifacts”

1982

Ralph Gibson

gelatin silver print on paper

Freesia April 8, 1988

1987

Donald Sultan

aquatint on paper

Three Fates at Night, from “The 1939 New York World’s Fair”

1939; printed 1980

Samuel Gottscho

dye transfer print on paper

Stearns Collection

20th century

David B. Capps

gelatin silver print on paper