The Collection – Page 2 – University of Michigan Museum of Art

Täuflinge

1913

Wassily Kandinsky; R. Piper & Co.; Poeschel & Trepte

woodcut on paper

Women in Front of the Prison

1924-1958

Fanny Rabel

lithograph on paper

Composer Gian Carlo Menotti in Restaurant during Festival Dei Du Mondi, Spoleto, Italy

1961

Henri Cartier-Bresson

gelatin silver print on paper

Untitled

circa 1966

Garry Winogrand

gelatin silver print on paper

Women of Santa Anna, Michoacan

1933, printed 1967

Paul Strand

photogravure on paper

Balcony, Amsterdam

1889

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper

Regent’s Quadrant

1880-1881

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

Fleur de Lys Passage

1887

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper, trimmed to platem

The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in warm black ink on laid paper, trimmed to platemark

The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in black ink on wove paper

The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1861

James Abbott McNeill Whistler

drypoint on laid Japan tissue

Liverdun, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

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