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The UMMA Collection

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1814-1875

Jean-François Millet

drypoint and roulette on pale blue laid paper

A Boar Hunt (After Rubens’ Hunt of the Calydonian Boar)

17th century

Flemish

brown ink, reed pen and brush

Landscape with Equestrian Statue, No. 20 from the set of 31, Vedute, altre pres

published circa 1744

Canaletto

etching on paper

No. 18a from the Opere varie series

circa 1757

Giovanni Battista Piranesi

etching on paper

Still Life with Game and a Hunting Dog

1745-1811

Jean-Baptiste Huet

red chalk with bistre ink framing line

A River Landscape

1575-1650

Jan Brueghel

gouache and ink on paper

Untitled (Landscape with Peasants in a Cart)

1650-1675

Allart van Everdingen

brown ink and wash on cream laid paper

1787-1822

J. J. de LaPorte

etching on paper

Study of Ships; no. 3 from the series of 13 plates, Various Seascapes, Ports, and Harbors

1653-1655 (mid-1650s)

Reinier Nooms

etching on paper

Eglise de Saint Jean de Lyon

1621-1691

Isräel Silvestre

etching on paper

It is time (Ya es hora)

1799

Francisco José de Goya y Lucientes

etching, burnished aquatint, drypoint and burin on paper

Tantalus (Tantalo)

1799

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

It is better to be lazy. (Major es holgar.)

1799

Francisco José de Goya y Lucientes

etching, burnished aquatint and burin on paper

Don’t scream, stupid. (No grites, tonta.)

1799

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

Can’t anyone untie us? (¿No hay quien nos desate?)

1799

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

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