Surrealism — Collection Theme – University of Michigan Museum of Art

Espace-temps en fusion

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph and screenprint on paper

Correspondances dangereuses

1947

Brunidor Editions; Max Ernst; S. W. Hayter

etching on Vélin Arches paper

People

1946

Carlos Lopez

drypoint on paper

The Sphinx, Plate 1 from ‘The Myth of Oedipus’

1944

Kurt Seligmann

etching on off-white wove paper

Lunettes à hologrammes et ordinateurs pour voir les objets imaginés

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph and screenprint on paper

The Riddle, Plate 4 from ‘The Myth of Oedipus’

1944

Kurt Seligmann

etching on off-white wove paper

Locomotion paradisiaque intra-utérine

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph and screenprint on paper

Jardin Biologique

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

The Slaying of Laius, Plate 3 from ‘The Myth of Oedipus’

1944

Kurt Seligmann

etching on off-white wove paper

Télévision liquide et gazeuse

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

Maquillage Cyclopéen

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

Téléphone-homard cybernétique

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph and screenprint on paper

Quetzal

1947

Wifredo Lam; Brunidor Editions; Atelier 17

lithograph on paper

Fauteuil à sespirer pneumatique

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

The Talkative Jewels (les Bijoux indiscrets), for the Christmas issue of “Twentieth Century (XXe Siècle)

1963

René Magritte

color lithograph on paper

Dali Atomicus

1948

Philippe Halsman

gelatin silver print on paper

I Want To See It To Believe It

1947

Roberto Matta; Brunidor Editions; Alfred Jones

color lithograph on paper

Rhabdomancie

1947

Yves Tanguy; Brunidor Editions; Atelier 17

etching and monoprint on paper

Young Girl Dreaming

1934-1935; printed 1967

Brassaï; E. Guillot; Galerie Les Contards

gelatin silver print from cliché-verre plate on paper

Sensations

1944

Gerome Kamrowski

oil on canvas

Underworld

1980

Ann McCoy

hand colored lithograph on paper

The Underworld

1980

Ann McCoy

hand colored lithograph on paper

South Polar Quadrille

1947

John Tunnard

ink, colored crayons, watercolor and gouache on white wove paper

The Archeologists IV (Gli Archeologi IV); Plate VI from the suite “Metamorphosis” (Metamorphosis is underlined)

1929

Giorgio de Chirico

color lithograph on paper

Creation of a Woman, II

1962

Paul Wunderlich

color lithograph on cream wove paper

Bounded on the West by the Land Under Water

1946

Kay Sage

oil on canvas

Bestiaire. XII. L’Ephémère

1945

André Masson

lithograph on paper

The Terror Stopper (Le Bouchon d’Epouvante), Plate VI from the series “Dawn at the Antipode (Aube à l’Antipode)

1966

René Magritte

etching on paper

Baignoire à tornade liquide

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

Partie de Campagne 1 (Day in the Country)

1967

Joan Miró

aquatint on paper

Illuminated Landscape

1948

Chet Harmon La More

casein on board

There Are Some

1943

Gerome Kamrowski

paint, ink, photograph and printed paper assemblage

Bestiaire. IV. Le Sang et la Race

1945

André Masson

lithograph on paper

The Skyline (La Ligne d’horizon)

1938

Joan Miró

drypoint and etching with roulette on paper

Antiombrelle à atomiseurs de liquides

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph, screenprint and collage on paper

Il ritorno del figliol prodigo

1929

Giorgio de Chirico

color lithograph on paper

XVI Bague d’Aurore

1952-1983

Joan Miró

etching on paper

Peintures murales

1961

Joan Miró

lithograph on paper

Filletto, sautant à la corde, femmes, oiseaux

1947

Joan Miró; Brunidor Editions; Atelier 17

etching with drypoint on paper

Murderous Landscape (Paysage meurtrier)

1938

Joan Miró

soft-ground etching on paper

Manikin

1931

Arshile Gorky

lithograph on paper

Bestiaire. III. L’Education des Monstres

1945

André Masson

lithograph on paper

Bestiaire. V. La Force ou la Ruse?

1945

André Masson

lithograph on paper

Bestiaire. VI. Tous les Masques Sont Bons

1945

André Masson

lithograph on paper

Bestiaire. I. La Grande Larve

1945

André Masson

lithograph on paper

Bestiaire. II. Le Plus Cruel de Tous les Animaux

1945

André Masson

lithograph on paper

Bestiaire. VIII. Accouplement Sacré

1945

André Masson

lithograph on paper

Bestiaire. VII. Malheur aux Pauvres!

1945

André Masson

lithograph on paper

Three Standing Forms in Black

1953

Graham Sutherland

lithograph on paper

The Reign of Antiquities

1979

Carl Demeulenaere

lithograph on paper

Bestiaire. X. Ils se Dévorent entre eux

1945

André Masson

lithograph on paper

Turning Form

1948

Graham Sutherland

color lithograph on paper

False Dimension No. 2

1936

Lucien Labaudt

lithograph on paper

Bestiaire. XI. La Peur

1945

André Masson

lithograph on paper

Circus, from André Salmon, Vénus dans la balance, Poésies.

1926

Jules Pascin

aquatint on paper

Composition

1957

Graham Sutherland

color lithograph on paper

Danger–Dancer ILXT

1972

Man Ray

photolithograph on paper

School of Gladiators (Scuola di Gladiatori II), from the suite ‘Metamorphosis’

circa 1929

Giorgio de Chirico

color lithograph on paper

Receding Waters

1937

Hugh Miller

lithograph on paper

Study for ‘Three Standing Forms in a Garden’

1951

Graham Sutherland

crayon and wash on white wove paper

Illuminated Landscape

1950

Chet Harmon La More

aquatint and etching on paper

Study for ‘Image in Xhorkom’

circa 1936

Arshile Gorky

graphite and tempera on off-white laid paper

Castronautes

1965

Roberto Matta

color etching and aquatint on paper

La Catalyseur

1961

Roberto Matta; Georges Visat; Editions Meyer

color etching and aquatint on Arches paper

Personnage Virtualle

1947

S. W. Hayter; Brunidor Editions; Atelier 17

engraving, soft-ground etching and scorper, heightened with white on paper

Untitled (Plate I)

1959

Roberto Matta; Georges Visat; Éditions Galerie Diderot

etching and aquatint with soft-ground and chine collé on paper

The Industrial Beast (La Bête industrielle), Plate IX from “Bestiary (Bestiaire)”

1945

André Masson

lithograph on paper

Carnival

1934-1935; printed 1967

Brassaï; E. Guillot; Galerie Les Contards

gelatin silver print from cliché-verre plate on paper

Temptation of Saint Anthony

1934-1935; printed 1967

Brassaï; E. Guillot; Galerie Les Contards

gelatin silver print from cliché-verre plate on paper

Stripped Woman of Seville

1934-1935; printed 1967

Brassaï; E. Guillot; Galerie Les Contards

gelatin silver print from cliché-verre plate on paper

The Childhood of Oedipus, Plate 2 from ‘The Myth of Oedipus’

1944

Kurt Seligmann

etching on off-white wove paper

Cactus

1950

Graham Sutherland

oil on canvas

Little Girl with Cherries (Expectation)

1936-1946

Philip Evergood

oil on canvas

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