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Curated Group

Visual Adaptations of Music — Collection Theme

Curated by University Learning Programs

Group Details:

Objects in UMMA’s collection related to the theme of Visual Adaptions of Music.

Green Noise
1989
Beatrice Riese
oil on canvas
Two Gambists
1981
Beatrice Riese
gouache on paper
Second Score for Black Opera
1976
Naomi Dickerson
lithograph on paper
Score V
1976
Germaine Keller
etching on paper
Notes on Image and Sound, Part II: Bülent Arel “Stereo Electronic Music #1” (Exc
1965
Romas Viesulas
embossed print on paper
Begin the Beguine
1946
Max Beckmann
oil on canvas
Continuous
1976
Edda Renouf
acrylic on canvas
Broadway Melody
1945
Mark Tobey
tempera on board
Thought Rhythms
1937
Francis Shields
lithograph on paper
Guitar Player
circa 1935
Frederick W. Becker
wood engraving on paper
Piano Player
1937
Frederick W. Becker
wood engraving on paper
Trombone Player
1937
Frederick W. Becker
wood engraving on paper
Drummer
1937
Frederick W. Becker
wood engraving on paper
The Piano Lesson
2001
Mark Pomilio
aquacryl and marble dust on canvas
Canyon Chorus
1983
Gary Mayer
oil on canvas
Night Music
1983
Gary Mayer
oil on canvas
Composition
circa 1954
Roger Bissière
color lithograph on wove paper
Nocturne
1878
James Abbott McNeill Whistler
lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,
Nocturne, from the “Twelve Etchings” or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
Nocturne: Salute
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
Ngoromera
2020
Masimba Hwati
brass, iron, copper, carbon steel, and plastic

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