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The UMMA Collection

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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Little Lagoon, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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Battersea Morn
1877
James Abbott McNeill Whistler
drypoint, printed in brown ink on laid paper
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L’Ile de Ré vue de la Pallice
1861-1932
Gustave Leheutre
etching on paper
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No. 11 of the 12 print series
1788-1789
Chinese
engraving on paper
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The Nor’easter
1832-1909
Robert Hopkin
watercolor on white paper
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Landscape with Boats
1937
Warren Lombard
silverpoint
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The Townsend—Donegal, Ireland 1965-66
1965-1966, printed 1979
Alen MacWeeney
gelatin silver print on paper
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Capri, Punta della Campanella
1866-1891
Giorgio Sommer
albumen print on paper
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Save Us
1839
Vincent Courdouan
watercolor on paper
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Kanagawa, from the series “53 Stages of the Tôkaidô”
circa 1833-1843
Utagawa Kunisada
woodblock print on paper
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Paessaggio Baia Delle Zagare, from “Color Nature Landscapes I”
1970; printed circa 1983-1984
Franco Fontana
cibachrome print on paper
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Place Card (one of eleven)
circa 1923
John Koch
watercolor and ink on paper
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