The Crowd — Collection Theme – University of Michigan Museum of Art

Le Charlatan Francois

1777

Jean Duplessi-Bertaux; Isidore Stanislas Helman

engraving on paper

Untitled

1999

Roy Arenella

postcard on paper

Peace March

April 15, 1967; printed 2000

Roy Arenella

gelatin silver print on paper

Fun Break at the Front on the March Toward Berlin

1945

Dmitri Baltermants

gelatin silver print on paper

From the Eiffel Tower, Paris

1929

André Kertész

gelatin silver print on paper

On Holiday: Young Soldier Feeds the Pigeons, Red Square, Moscow

1947

Dmitri Baltermants

gelatin silver print on paper

Fifth Avenue at 42nd Street, New York

1915

Paul Strand

photogravure on paper

The Crowd

20th century

Lee Chesney

etching on paper

Stereoscope Image, Set No. 8: When King Carnival Reigns in the New Orleans Mardi Gras, La.

printed 1978

Stereo Classics Studio

photograph on cardboard

Interior of a Cinema Theater (Katsudo Shashinkan Naibu)

1920

Oda Kazuma

lithograph on paper

Stereoscope Image, Sample Set No.1: Colossal Hand and Torch “Liberty”

printed 1978

Stereo Classics Studio

photograph on cardboard

67/56,33

1967; printed 1998

Roy Arenella

gelatin silver print on paper

Chinese Parade

circa 1939-1990, printed 2003

Dmitri Baltermants

gelatin silver print on paper

Ecce Homo (Passion Series)

circa 1480

Martin Schongauer

engraving on paper

Stereoscope Image, Sample Set No.2: Bound for the Klondike Gold Fields, Chilkoot Alaska

printed 1978

Stereo Classics Studio

photograph on cardboard

‘La Grande passion.’ (Ecce Homo–Christ Shown to the People) La Presentation au

1625

Jacques Callot

etching and engraving on paper

Peace March, NYC

1967; printed 1999

Roy Arenella

black and white photograph on paper

Ecce Homo (Large Passion Series)

1498-1500

Albrecht Dürer

woodcut on paper

And Once There Was War…Red Square Parade

1965; printed 2003

Dmitri Baltermants

gelatin silver print on paper

The Flood

circa 1590

Dutch

oil on panel

Daniel Intervening on Behalf of Susanna

circa 1579

Hans Collaert I

engraving on laid paper

The Concert

1847-1935

Max Liebermann

etching on paper

The mass meeting in Danville is so crowded that it overflows out into the yard. When word arrives that heavily armed police and an armored vehicle are waiting up the road, the crowd disperses, leaving the SNCC workers to exit last, from “Memories of the Southern Civil Rights Movement”

1963; printed 2010

Danny Lyon

gelatin silver print on paper

The two elders stoned by the people (one from the set of four prints, The Story

1555

Heinrich Aldegrever

engraving on paper

Streetscene (Strassenszene)

1919-1920

George Grosz

lithograph on paper

Child Run Over

1910

Käthe Kollwitz

softground etching on paper

Religion of the Sword

1924-1927

George Grosz

ink on paper

The Rat’s Wedding

late 18th century - early 19th century

Utagawa Toyoharu

color woodblock print on paper

Napoleon at the St. Bernard Pass (Passage de Mont St. Bernard)

1822

Théodore Géricault

lithograph on cream wove paper

Alexander Visiting Diogenes

1615-1673

Salvator Rosa

etching and drypoint on laid paper

Enthroned Madonna and Child with angels and Saints Louis of Toulouse, Zenobius, John the Evangelist, and John the Baptist

circa 1325

Jacopo del Casentino

tempera and gold on panel

The Four Avenging Angels from the ‘Apocalypse’

1496-1498

Albrecht Dürer

woodcut on laid paper

The Crowd

1923

George Wesley Bellows; Bolton Brown

lithograph on paper

Christ Presented to the People

circa 1849

Eugène Delacroix

graphite on medium, moderately textured blued white laid paper

Study for Cicero Accusing Verres

1844-1847

Eugène Delacroix

graphite on beige laid paper

The Sawdust Trail

1917

George Wesley Bellows

lithograph on paper

Solitude

1917

George Wesley Bellows

lithograph on paper

A Stag at Sharkey’s

1917

George Wesley Bellows

lithograph on paper

Artists Judging Works of Art

1916

George Wesley Bellows

lithograph on paper

In the Park

1916

George Wesley Bellows

lithograph on paper

Introducing Georgess Carpentier

1921

George Wesley Bellows

lithograph on paper

Billy Sunday

1923

George Wesley Bellows; Bolton Brown

lithograph on paper

Splinter Beach

1916

George Wesley Bellows

lithograph on paper

Dance in a Mad House

1917

George Wesley Bellows

lithograph on paper

Counted Out

1921

George Wesley Bellows

lithograph on paper

Riverfront

1923-1924

George Wesley Bellows

lithograph on paper

Tennis

1920

George Wesley Bellows

lithograph on paper

Dempsey and Firpo

1923-1924

George Wesley Bellows

lithograph on paper

Between Rounds

1916

George Wesley Bellows

lithograph on paper

Business Men’s Class

1916

George Wesley Bellows

lithograph on paper

Coney Island Beach

1934

Reginald Marsh

etching on paper

Beach Accident, Coney Island, New York

1952; printed circa 1950s

Margaret Bourke-White

gelatin silver print on paper mounted on masonite

Jessica

2001

David Rosen

gelatin silver print on paper

Beach Umbrellas, undated

circa 1970-1987

Andy Warhol

gelatin silver print on paper

Stereoscope Image, Sample Set No.1: A beach group at Ocean Grove about 1880

printed 1978

Stereo Classics Studio

photograph on cardboard

Stereoscope Image, Sample Set No.1: Taking a dip in the briny waves. Atlantic City, NJ

printed 1978

Stereo Classics Studio

photograph on cardboard

Muscle Beach

1949

Max Yavno

gelatin silver print on paper

Stereoscope Image, Sample Set No.1: Englands Merry Brighton

printed 1978

Stereo Classics Studio

photograph on cardboard

People and Statues on Beach, San Juan, Puerto Rico, from “Recent Developments”

1978

Elliott Erwitt

gelatin silver print on paper

Un Grain à Trouville

1874

Félix Hilaire Buhot

etching on paper

Fifth Avenue, NYC

1968

Joel Meyerowitz

gelatin silver print on paper

Interior view of Grand Central Terminal, New York, N.Y.

1930 - 1950

Hal Morey

gelatin silver print on paper

Les Cyclistes

1889

Théophile Alexandre Steinlen

lithograph on China paper

Les Boulevards

1867-1947

Pierre Bonnard

color lithograph on paper

Grand Central Terminal Concourse at Lunchtime

1976; printed 2013

Duncan Hartley

digital print on Hahnemuhle Photo Rag Baryta

March on Washington, [SNCC members and friends defiantly gather to sing freedom songs], from “Memories of the Southern Civil Rights Movement”

1963; printed 2010

Danny Lyon

gelatin silver print on paper

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in black ink on wove paper

Circus Walk: From the train to Olympia Stadium, Detroit, Michigan, from “Detroit Focus 2000”

1977

George Waldman

black and white photograph on paper

A Courtesan and a Porter Carrying food, Sheet 2 from the series of “The Main Street of the Yoshiwara in Cherry Blossom Time” (A five-sheet series)

late 18th century - early 19th century

Utagawa Toyokuni I

color woodblock print on paper

Spectators, New York, New York, from “Society’s Man”

1964; printed 1984

Algimantas Kezys

gelatin silver print on paper

New York City

1970; printed 1978

Garry Winogrand

gelatin silver print on paper

New York City

1971; printed 1978

Garry Winogrand

gelatin silver print on paper

Bicentennial Celebration in New York

July 4, 1976; printed 2013

Duncan Hartley

digital print on Hahnemuhle Photo Rag Baryta

Coney Island

1927

Leo J. Meissner

linocut on paper

New Year’s Eve, NYC

1965

Joel Meyerowitz

gelatin silver print on paper

New York

1913?

Abraham Walkowitz

pen and ink on white paper

Boulevard Montmartre

circa 1899

Camille Pissarro

lithograph on rose chine appliqué, laid down on wove paper

Eclipse

1911

Eugène Atget; Berenice Abbott

gold-toned gelatin silver print on paper

La plus jolie femme de Paris

1885

James Jacques Joseph Tissot

etching and drypoint on paper

Gare de Nice

n.d.

Hermine David

etching on paper

Untitled

circa 1968

Garry Winogrand

gelatin silver print on paper

The Steerage

1907, printed 1915

Alfred Stieglitz

photogravure on paper

The Four Times of Day: Noon

1738

William Hogarth

etching and engraving on laid paper

The Four Times of Day: Night

1738

William Hogarth

etching and engraving on laid paper