Apocalypses — Collection Theme – University of Michigan Museum of Art

View from the Dix Road Bridge, Detroit, Michigan, from “Detroit Focus 2000”

1998

John Collier

black and white photograph on paper

The Last Judgment

16th century

Albrecht Dürer

woodcut on paper

The Four Avenging Angels from the ‘Apocalypse’

1496-1498

Albrecht Dürer

woodcut on laid paper

Brea, California, from “The Fault Zone”

1979

Joe Deal

gold-toned gelatin silver print on paper

Hemet, California, from “The Fault Zone”

1979

Joe Deal

gold-toned gelatin silver print on paper

Industrial Study 5, Detroit, Michigan, from “Detroit Focus 2000”

1998

Russ Marshall

black and white photograph on paper

The Rouge Study #68, Dearborn, MI

1994; printed 1995

Michael Kenna

sepia-toned gelatin silver print on paper

A Killing of Elk

1875

Laton Alton Huffman

colotype print on paper

Filey Early Warning Station

1981

Michael Kenna

sepia and selenium-toned gelatin silver print on paper

San Bernardino, California (I), from “The Fault Zone”

1978

Joe Deal

gold-toned gelatin silver print on paper

Fontana, California, from “The Fault Zone”

1978

Joe Deal

gold-toned gelatin silver print on paper

San Fernando, California, from “The Fault Zone”

1978

Joe Deal

gold-toned gelatin silver print on paper

Auburndale Site, Highland Park, MI, #3

2007

Object Orange

iris print on paper

Auburndale Site, Highland Park, MI, #4

2007

Object Orange

iris print on paper

Untitled, from “The Ann Arbor Series”

late 20th century

Hana Hamplová

gelatin silver print on paper

Shiprock Triptych #3

1987

Richard Misrach

cibachrome print on paper

Shiprock Triptych #2

1987

Richard Misrach

cibachrome print on paper

Shiprock Triptych #1

1987

Richard Misrach

cibachrome print on paper

After the Buffalo Run, North Montana

1879

Laton Alton Huffman

colotype print on paper

Untitled (Aerial View of Shoreline)

Al Weber

chromogenic print on paper

Bounded on the West by the Land Under Water

1946

Kay Sage

oil on canvas

Apsara Warrior

circa 2004

Ouk Chim Vichet

metal

Dévastation d’un monastère, No. 6 of Les Grandes Misères de la Guerre

1633

Jacques Callot

etching on paper

The Battle, No. 3 from ‘Les Grandes Misères de la Guerre’

1633

Jacques Callot

etching on paper

The Hangman’s Tree, No. 11 from ‘Les Grandes Misères de la Guerre’

1633

Jacques Callot

Etching on paper

What a Soldier!, from”Los Proverbios” (also known as “Los Disparates”)

1877

Francisco José de Goya y Lucientes

etching and brushed aquatint on paper

The Dying by the Roadside, No. 16 from ‘Les Grandes Misères de la Guerre’

1633

Jacques Callot

etching on paper

Caridad (Charity), plate 27 from Los Desastres de la Guerra

1810

Francisco José de Goya y Lucientes

etching, lavis, drypoint, burin and burnisher on cream wove paper

Power Figure

circa 1850

Vili (Kongo)

wood, iron nails, blades and fragments, and fiber cord

The Stake, No. 13 from ‘Les Grandes Misères de la Guerre’

1633

Jacques Callot

etching on paper

The Attack on an Emigrant Train

1856

Charles Ferdinand Wimar

oil on canvas

Artillery Battle (Artillerieschlacht)

1917

Otto Dix

charcoal and gouache on paper mounted on linen

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Siege of La Rochelle, one of 6 plates

plates worked 1629-1631; 1675-1725

Jacques Callot

etching on ivory laid paper

Soldatengrab zwischen den Linien (Soldier’s Grave between the Lines), from “Der Krieg”

1924

Otto Dix

etching, drypoint and aquatint on paper

Battle of the Romans under Scipio against the Carthaginians

after 1531

Agostino dei Musi

engraving on paper

Hiroshima Series

1983

Jacob Lawrence

screenprint, printed in eleven colors on Somerset soft-white paper

Torah in Auschwitz, from “Detroit Focus 2000”

1995

Todd Weinstein

black and white photograph on paper

The Flood

circa 1590

Dutch

oil on panel

St. John the Evangelist on Patmos

circa 1525

Joos van Cleve; Lucas Gassel

oil on panel, mounted on panel

A Woman Finds Her Husband, Kerch, Crimea

January 1942, printed 2003

Dmitri Baltermants

gelatin silver print on paper

Berlin is Taken

1945

Dmitri Baltermants

gelatin silver print on paper

The War Comes to Germany

1945; printed 2003

Dmitri Baltermants

gelatin silver print on paper

Battle in the Streets of Berlin

1945

Dmitri Baltermants

gelatin silver print on paper

Fun Break at the Front on the March Toward Berlin

1945

Dmitri Baltermants

gelatin silver print on paper

BMW Roadster, Olduvai Gorge, Tanznia (R4), from “The Ryoichi Excavations”

1987; printed 2001

Patrick Nagatani

toned gelatin silver print on paper

Bentley, Stonehedge, Salisbury Plain, Wiltshire, England (R5), from “The Ryoichi Excavations”

1987; printed 2001

Patrick Nagatani

toned gelatin silver print on paper

Jaquar XKE, Jantar Mantar, Jai Singh Observatory, Jaipur, India, from “The Ryoichi Excavations”

1988; printed 2001

Patrick Nagatani

toned gelatin silver print on paper

Volkswagen Beetles, Xian, Necropolis of Mt. Li, Shanxi Province, China (R8), from “The Ryoichi Excavations”

1988; printed 2001

Patrick Nagatani

toned gelatin silver print on paper

Jaquar, The Caracol (Observatory), Chichen Itza, Yucatan, Mexico (R15), from “The Ryoichi Excavations”

1991; printed 2001

Patrick Nagatani

toned gelatin silver print on paper

Virgin of the Apocalypse

1770-1780

Gaetano Gandolfi

oil on canvas, mounted on board

Armageddon, Midtown Subway Station

1978; printed 2013

Duncan Hartley

digital print on Hahnemuhle Photo Rag Baryta

There is plenty to suck (Mucho hay que chupar)

1799

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

All will fall. (Todos caerán)

1799

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

And still they don’t go! (Y aun no se van!)

1799

Francisco José de Goya y Lucientes

etching, burnished aquatint and burin on paper

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Begin the Beguine

1946

Max Beckmann

oil on canvas

Hunger. No. 4 from the Series of Ten Prints, ‘Die Hölle’ (Hell).

1919

Max Beckmann

lithograph on paper

Streetscene (Strassenszene)

1919-1920

George Grosz

lithograph on paper

Ants (Ameisen), from “In the Shadows” (“Im Schatten”)

1920

George Grosz

photolithograph on paper

Hunger

1924

George Grosz

lithograph on paper

Underworld

1980

Ann McCoy

hand colored lithograph on paper

The Industrial Beast (La Bête industrielle), Plate IX from “Bestiary (Bestiaire)”

1945

André Masson

lithograph on paper

Espace-temps en fusion

1975

Salvador Dali; Chase & Alan Rich, New York

drypoint etching, lithograph and screenprint on paper

South Polar Quadrille

1947

John Tunnard

ink, colored crayons, watercolor and gouache on white wove paper

Engine 3.1

2012

Dana Melamed

transparency film, cinefoil, paper, pencil shavings, recycled components, acrylic paint, ink, charcoal and wire on aluminum mesh

Engine 3.2

2012

Dana Melamed

transparency film, cinefoil, paper, pencil shavings, recycled components, acrylic paint, ink, charcoal and wire on aluminum mesh

Selections from Truisms

1983

Jenny Holzer

electronic L.E.D. with red diodes

Shiva

early 20th century

Artist Unknown, India, Orissa, Puri School

ink and opaque watercolor on linen

Shiva Trimurti in ascetic garb (small folk bronze)

16th century - 17th century

Indian

bronze

Siva and Paravati

12th century

Indian

sandstone

Shiva as Trimurti, with three heads and six arms

18th century

Indian

bronze

Uma-Maheshvara, a seated Shiva and Parvati (Uma)

12th century

Indian

bronze

Bhairava

16th century - 19th century

Indian

copper

Shiva standing

15th century - 16th century

Indian

bronze

Shiva as Bhairava

12th century -13th century

Indian

stone

Bhairava and Devi

19th century

Indian

bronze

Bhairava (small folk bronze)

18th century

Indian

copper with gold overlay

Bhairava

16th century - 17th century

Indian

bronze

Bhagavati (Bhairava)

16th century

Indian

bronze

Portrait of Maximilien-Sébastien Foy

1826

Baron François Gérard

oil on canvas

No Heroes Developed

1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

screenprint on paper

Decency and Decorum in Production

1965 - 1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

photolithograph on paper

6 miles over vacation-land

1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

photolithograph on paper

The accident syndrome, the Genesis of injury

1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

screenprint on paper

Watch out for miracles… new hope for better babies

1965 - 1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

screenprint on paper

Frank Lloyd Wright says…Tough Times

1965-1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

photolithograph on paper

Los Proverbios (also known as “Los Disparates”), plate 13: Donde hay ganas hay maña (“Where there’s a will there’s a way”) or Modo de volar (A way of flying)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, aquatint and drypoint? on paper

Kagoshima Senki [Records of the Battle of Kagoshima]; right page of triptych

1877

Toyohara Chikanobu

color woodblock print on paper, one of triptych

Kagoshima Senki [Records of the Battle of Kagoshima]; middle page of triptych

1877

Toyohara Chikanobu

color woodblock print on paper, one of triptych

Kagoshima Senki [Records of the Battle of Kagoshima]; left page of triptych

1877

Toyohara Chikanobu

color woodblock print on paper, one of triptych

Durga Copper Plate

19th century - 20th century

Indian

copper

Warriors going into battle from a Mahabharata series

early 19th century - mid 19th century

Artist Unknown, India, Maharashtra, Paithan School

ink and opaque watercolor on paper

Multi-armed Kali on a corpse (small folk bronze)

19th century

Indian

bronze

Markendeya purana series: Bhavana on tiger confronts a demon / Rama and Hanuman

late 18th century

Indian

ink, opaque watercolor, and gold on cloth

Durga on her lion mount

13th century - 14th century

Indian

stone

A Confrontation between Equestrian Warriors, from an illustrated book

circa 1860

Japanese

woodblock print on paper

A Confrontation between Equestrian Warriors, from an illustrated book

circa 1860

Japanese

woodblock print on paper

The warrior Watanabe no Tsuna battling the demoness Ibaraki (okimono)

late 19th century - early 20th century

Gyokubun

ivory

Battle of the Genji and Heike Forces

1573-1650

Japanese

6-fold screen, ink and color on paper

Yao Ritual Scroll

19th century - mid 20th century

Chinese

hanging scroll, ink and color on cotton

Church at Wounded Knee, from “Portfolio of 15 Photographs”

1969; printed 1988

Elliott Erwitt

gelatin silver print on paper

Las Vegas, from “Master Prints Volume I”

1957

Elliott Erwitt

gelatin silver print on paper

Coke Machine and Missile, Alabama, U.S.A., from “Recent Developments”

1974

Elliott Erwitt

gelatin silver print on paper

Wilmington, North Carolina, from “Master Prints Volume II”

1950; printed 1985

Elliott Erwitt

gelatin silver print on paper

Two Barns

1955; portfolio 1975

Minor White

gelatin silver print on paper

The Archer

1908-1909, printed 1912

Wassily Kandinsky

woodblock on paper

The Lord’s Prayer, sheet 10 – For Thine Is the Kingdom (Das Vaterunser – Denn Dein ist das Reich)

1921

Max Pechstein

woodcut with hand-coloring on paper

Cape Cod

1972

Harry Callahan

gelatin silver print on paper

Untitled (Child with a Doll Carriage), from “Welsh Miners”

1981

Bruce Davidson

gelatin silver print on paper

Untitled (Child in Graveyard), from “Welsh Miners”

1981

Bruce Davidson

gelatin silver print on paper

Japanese Children’s Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico

1990

Patrick Nagatani

dye destruction print on paper

Rhyolite, Nevada

December 1970

Al Weber

gelatin silver print on paper

Stadium

1979; printed 1982

Mary Peck

gelatin silver print on paper

Martha Graham—Lamentation

1935

Barbara Morgan

gelatin silver print on paper

Figure and Squares, Toronto, Canada, from “Society’s Man”

1969; printed 1984

Algimantas Kezys

gelatin silver print on paper

Auburndale Site, Highland Park, MI, #5

2007

Object Orange

iris print on paper

Antelope House Ruin, Canyon de Chelly National Monument, Arizona, from “Portfolio VI”

1942

Ansel Adams

gelatin silver print on paper

Lake in Catskill Mountains

1971

Joel Meyerowitz

gelatin silver print on paper

When was the future?

2008

Jakob Kolding

collage on paper

The Rouge Study #31, Dearborn, MI

1994; printed 1996

Michael Kenna

sepia-toned gelatin silver print on paper

The Rouge Study #51, Dearborn, MI

1994; printed 1995

Michael Kenna

sepia-toned gelatin silver print on paper

The Rouge Study #67, Dearborn, MI

1994; printed 1995

Michael Kenna

sepia-toned gelatin silver print on paper

The Rouge Study #6, Dearborn, MI

1993

Michael Kenna

sepia-toned gelatin silver print on paper

The Rouge Study #62, Dearborn, MI

1994; printed 1995

Michael Kenna

sepia-toned gelatin silver print on paper

The Rouge Study #94, Dearborn, MI

1996

Michael Kenna

sepia-toned gelatin silver print on paper

Lowering Skies, Roscoe, Nebraska

1978

Michael Rubin

gelatin silver print on paper

Untitled (Bride and Groom in a Landscape), from “Welsh Miners”

1981

Bruce Davidson

gelatin silver print on paper

The Plague

circa 1515-1516

Marcantonio Raimondi

engraving on paper

Michigan Worker

1985

George Vargas

welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, and padlock mounted on plywood

Twenty Traumatic Twinges

1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

screenprint on paper

Will Man desert the Dog for the Dolphin?

1965 - 1970

Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto

photolithograph on paper

Calavera Zapatista

circa 1910-1913

José Guadalupe Posada

relief engraving on metal

Calavera Huertista

circa 1910

José Guadalupe Posada

relief engraving on paper

Death Appearing on Horseback

1954

Héctor Xavier

lithograph on paper

La Ultima Cena del General Sandino

1993

Armando Morales

lithograph on paper

Tierlegende

1912

Franz Marc

woodcut on paper

New York at Night

1932

Berenice Abbott

gelatin silver print on paper

Lo que puede venir

1945

Leopoldo Méndez

woodcut on paper

Perfect Future, from “The Silver Edition, Volume I”

1972

Ralph Gibson

photograph on fiber paper

The Train of Death

1903-1958

Leopoldo Méndez

linoleum cut on paper

La Comédie de la Mort

1854

Rodolphe Bresdin

lithograph on paper

Miserere. Pl. 54. ‘Debout les morts!’ ‘Arise, ye dead!’

1927

Georges Rouault

aquatint and etching on paper

Ikkyū’s Tale of Hell: Segawa Kikunojō V as courtesan Jigoku-dayū

1828-1832

Utagawa Kuniyoshi

woodblock print on paper

Calaveras Estranguladoras

circa 1940

Mexican

woodcut and metalcuts on paper

Bull Fight

1913-1951

Antoni Clavé

color lithograph on paper

Extra Terrestrials

1942

Esteban Frances

colored pencil

The Dream and Lie of Franco (Sueño y Mentira de Franco). Plate 1

1937

Pablo Picasso

aquatint and etching on paper

The Dream and Lie of Franco (Sueño y Mentira de Franco). Plate 2.

1937

Pablo Picasso

aquatint and etching on paper

Militarism (Militarismus)

1924

László Moholy-Nagy

gelatin silver print from rephotographed photomontage on paper

Konstruktionen (6)

1923

László Moholy-Nagy

lithograph on paper

Small Worlds III

1922

Wassily Kandinsky

lithograph on paper

A Murder

1912-1913

George Grosz

pen and ink with watercolor on wove paper

Abandoned Position near Vis-en-Artois, from ‘Der Krieg’

1924

Otto Dix

etching, drypoint and aquatint on paper

A Dream

1914

George Grosz

pen, ink and wash on off-white laid paper

Child Run Over

1910

Käthe Kollwitz

softground etching on paper

‘Bauernkrieg’ (Peasant War Cycle). Losbruch (Outbreak)

1903

Käthe Kollwitz

aquatint and etching on paper

Juggler

1849-1938

Christian Rohlfs

color woodcut on paper

Reitschule Nach Ridinger

1913

Franz Marc

woodblock on paper

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Proverbios

1864

Francisco José de Goya y Lucientes

etching and aquatint

Rain of Bulls, from “Los Proverbios” (also known as “Los Disparates”)

1877

Francisco José de Goya y Lucientes

aquatint and etching on paper

Los Proverbios (also known as “Los Disparates”), plate 12: Si marina bayló, tome lo que halló (“If Marion will dance, then she has to take the consequences”)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and drypoint on paper

Los Proverbios (also known as “Los Disparates”), plate 8: So el sayal, hay al (“There is something beneath the sackcloth,” i.e. “you can’t judge a man by his clothes”) or Los ensacados (The men in sacks)

circa 1864-1900

Francisco José de Goya y Lucientes

etching and burnished aquatint on paper

Los Proverbios (also known as “Los Disparates”), plate 18: Dios los cria y ellos se juntan (“God creates them and they join up together,” i.e. “Birds of a feather flock together”)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and burin on paper

Los Proverbios (also known as “Los Disparates”), plate 15: Sin recomendarse a dios ni al diablo (“Without commending himself either to god or the devil”) or Disparate claro (Clear folly)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, burnished aquatint and lavis on paper

Untitled

1979

Hana Hamplová

gelatin silver print on paper

Untitled

1980

Hana Hamplová

gelatin silver print on paper

Untitled

1980

Hana Hamplová

gelatin silver print on paper

Untitled

1980

Hana Hamplová

gelatin silver print on paper

Battle of the Sea Gods

early 16th century

Daniel Hopfer

etching on iron on medium, slightly textured light beige laid paper

Devimahatmya manuscript page: The Goddess Ambika fights a host of demons

circa 1725

Nepali

ink and opaque watercolor on paper

Los Proverbios (also known as “Los Disparates”), plate 4: Tras el vicio viene el fornico (“After vice comes fornication”) or Bobalicón (Simpleton)

1815-1828

Francisco José de Goya y Lucientes

etching, burnished aquatint, burin and drypoint? on paper

La Tentation de St. Antoine

1635

Jacques Callot

etching on paper

Then Satan Went Forth from the Presence of the Lord

published March 8, 1825

William Blake

line and stipple engraving on chine colle mounted on India paper

The Underworld

1980

Ann McCoy

hand colored lithograph on paper

The Lord’s Prayer, sheet 2 – Our Father Who Art in Heaven (Das Vaterunser – Vater Unser Der Du bist im Himmel)

1921

Max Pechstein

woodcut with hand-coloring on paper

, sheet 3 – Hallowed Be Thy Name (Das Vaterunser – Geheiligt werde Dein Name)

1921

Max Pechstein

woodcut with hand-coloring on paper

The Lord’s Prayer, sheet 4 – Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser – Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)

1921

Max Pechstein

woodcut with hand-coloring on paper

The Lord’s Prayer, sheet 6 – And Forgive Us Our Sins (Das Vaterunser – Und vergieb uns unsre Schuld)

1921

Max Pechstein

woodcut with hand-coloring on paper

The Lord’s Prayer, sheet 11 – The Power and the Glory (Das Vaterunser – Und die Kraft und die Herrlichkeit)

1921

Max Pechstein

woodcut with hand-coloring on paper

The Virgin as Queen of the Angels

1518

Albrecht Dürer

woodcut on paper

The Parable of the Prudent and the Foolish Virgins

1537-1612

Philipp Galle

engraving on paper

Boy

1944

Ben Shahn

tempera on cardboard

The Wheel, No. 14 from ‘Les Grandes Misères de la Guerre’

1633

Jacques Callot

Etching on paper

Pillaging and burning of a Village, No. 7 from ‘Les Grandes Misères de la Guerre

1633

Jacques Callot

Etching on paper

Die Sonne, No. 3 from the series 10 Holzschnitte…

1914

Karl Schmidt-Rottluff

woodcut on paper

Cleanliness is Next to Godliness

circa 1985

Doug Webb

screenprint on paper

Liberty Renewed

circa 1985

Doug Webb

serigraph on paper

Kitchenetic Energy

circa 1985

Doug Webb

serigraph on paper

American Dream

1986

Doug Webb

screenprint on paper

Life Raft

1986

Doug Webb

serigraph on paper

Urban Daydream

1984

Doug Webb

serigraph on paper

Urban Daydream II

1985

Doug Webb

screenprint on paper

Uncertain Path to Harmony, Part 1

1997

Hana Hamplová

color photograph on backing board

Uncertain Path to Harmony, Part 2

1997

Hana Hamplová

color photograph on backing board

Uncertain Path to Harmony, Part 3

1997

Hana Hamplová

color photograph on backing board

Flood

1994

Joseph Friebert

monotype on paper

Aftermath III

2001

Paul Stewart

digital print on paper

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Apocalypses — Collection Theme

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