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Curated Group

Artists in the Degenerate Art Show — Collection Theme

Curated by David Choberka

Group Details:

Objects in UMMA’s collection related to the theme of artists in the Degenerate Art Show.

Artillery Battle (Artillerieschlacht)
1917
Otto Dix
charcoal and gouache on paper mounted on linen
Hunger. No. 4 from the Series of Ten Prints, ‘Die Hölle’ (Hell).
1919
Max Beckmann
lithograph on paper
The Family
20th century
George Grosz
brush and ink on cream-colored paper
Head of a Woman (Frauenkopf)
1916
Karl Schmidt-Rottluff
wood cut on paper
Portrait of David Müller
1919
Ernst Kirchner
woodcut on paper
The Lord’s Prayer, sheet 9 – But Deliver Us from Evil (Das Vaterunser – Sondern erlöse uns von dem Übel)
1921
Max Pechstein
woodcut with hand-coloring on paper
In Prison
1918
George Grosz
ink on wove paper
The Onlookers (Die Zuschauer)
1915-1916
George Grosz
ink on wove paper
Soldatengrab zwischen den Linien (Soldier’s Grave between the Lines), from “Der Krieg”
1924
Otto Dix
etching, drypoint and aquatint on paper
Abandoned Position near Vis-en-Artois, from ‘Der Krieg’
1924
Otto Dix
etching, drypoint and aquatint on paper
The Lord’s Prayer, sheet 2 – Our Father Who Art in Heaven (Das Vaterunser – Vater Unser Der Du bist im Himmel)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 4 – Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser – Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
1921
Max Pechstein
woodcut with hand-coloring on paper
Construction Work Boulder Dam #5
circa 1935
Adrian D. Clem
lithograph on paper
Head
circa 1920
Karl Schmidt-Rottluff
lithograph on beige laid paper on paper
Der Traum Vom Krieg, plate X, from ‘Day and Dreams’
1946
Max Beckmann
lithograph on paper
Zeichnung zum Drama der Entzweiung
1921
Paul Klee
pen and ink on paper on board
Blowing Out a Candle
1919
Paul Klee
lithograph on paper
Charme (Weibliche Anmut)
1904
Paul Klee
etching on paper
Die Hexe mit dem Kamm
1922
Paul Klee; Bauhaus
lithograph on paper
Monarchist
1904
Paul Klee
etching on paper
Head of a Mountain Cow
1940
Paul Klee
watercolor and gouache on paper
Arsonist Marionette
1933
Paul Klee
wax crayon on prepared paper with brown ground
A Walk with the Child
1940
Paul Klee
black crayon on off-white paper, mounted on heavier paper
Two Trees
circa 1939-1940
Paul Klee
gouache on cardboard
Blitzgefahr
1931
Paul Klee
watercolor on paper
Die Säule [The Piillar]
1926
Paul Klee
watercolor and ink on paper
Julia
1937
Paul Klee
colored pastel on off-white paper
Plate X from Kleine Welten
1922
Wassily Kandinsky
drypoint on paper
Plate XI from Kleine Welten
1922
Wassily Kandinsky
drypoint on paper
Woodcut for ‘XXe Siècle’ (Gravure sur bois pour ‘XXe Siècle’)
1939
Wassily Kandinsky
color woodcut on beige wove paper
Small Worlds III
1922
Wassily Kandinsky
lithograph on paper
Täuflinge
1913
Wassily Kandinsky; R. Piper & Co.; Poeschel & Trepte
woodcut on paper
Prophet Writing
1919
Ernst Barlach
woodcut on paper
Hope and Despair II
1931
Ernst Barlach
lithograph on paper
Der Erste Tag, from the series ‘The Transformations of God’
1920
Ernst Barlach
woodcut on paper
Seated Peasant (Sitzende Bäuerin)
1922
Ernst Kirchner
etching on paper
Untitled
20th century
Ernst Kirchner
crayon on paper
Swiss Goatherd Walking
1917
Ernst Kirchner
graphite on wove paper
The Sitting Dog (Windhund)
1952
Oskar Kokoschka
three-color lithograph on off-white wove paper
Probably ‘Die Ferne Insel’ (The Distant Island). Illustrated page, No. 4 of 8, f
1917
Oskar Kokoschka
color lithograph on paper
Girl with a Straw Hat
1933
Oskar Kokoschka
lithograph printed in Sanguine ink on paper
The Action Painter
1959
Oskar Kokoschka
lithograph on paper
The Spirit of God came upon Saul (Der Geist Gottes kam über Saul),from Saul and
1966-1968
Oskar Kokoschka
lithograph on white wove paper
Penelopias Anklage (pl. 27 from ‘The Odyssey’)
1963-1965
Oskar Kokoschka
lithograph on white paper
Shakespeare’s Visions: The Dream (Shakespeares – Visionen: Der Traum)
1916-1917
Oskar Kokoschka
lithograph on paper
Bach Kantate (Bach Cantata): O Ewigkeit, du Donnerwort.
1914
Oskar Kokoschka
lithograph on paper
Tower Bridge II (recto), Trees (faint pencil sketch on verso), PL. 7 from ‘Londo
1967
Oskar Kokoschka
lithograph with graphite sketch on verson on paper
Man Climbing into a Grave, no. 4 out of a series of 12: ‘The Fettered Columbus’
1913
Oskar Kokoschka
lithograph on paper
Nude with Arms Overhead
1934
Oskar Kokoschka
blue crayon on beige laid paper
Christus am Ölberg (Christ in Gethsemane)
1916
Oskar Kokoschka
lithograph on cream laid paper
Crucifixion
1958
Oskar Kokoschka
watercolor on paper
The Snake Charmer
1907-1908
Oskar Kokoschka
tempera on wove paper
The Pleading (Die Flehende), from O Eternity—thou thundering word (O Ewigkeit—du Donnerwort), Bach Cantata (Bachkantate) series
1914
Oskar Kokoschka
lithograph on laid cream paper mounted on cardboard
Untitled
20th century
George Grosz
ink and watercolor on paper
Untitled
20th century
George Grosz
pen and black ink on paper
Streetscene (Strassenszene)
1919-1920
George Grosz
lithograph on paper
The Gay Cafe
20th century
George Grosz
watercolor and ink on paper
Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)
1949
George Grosz
lithograph on paper
Drei Katzen (Three Cats)
circa 1910
Franz Marc
ink and graphite
Reitschule Nach Ridinger
1913
Franz Marc
woodblock on paper
Tierlegende
1912
Franz Marc
woodcut on paper
Maison close
1912
Max Beckmann
drypoint on paper
Komposition
1949
Willi Baumeister
pastel
Composition
1935
Willi Baumeister
color lithograph on paper
Flying Form
1939
Willi Baumeister
colored crayons on buff paper
Composition
circa 1948-1955
Willi Baumeister
serigraph on paper
Composition
circa 1942-1952
Willi Baumeister
lithograph on paper
Safer with Brush Traces
1953
Willi Baumeister
color lithograph on paper
Composition
1958
Herbert Bayer
Tritec, Liquitex, gesso on white board
In Search of Times Past
1959, printed circa 1970
Herbert Bayer
gelatin silver print on paper
Corona
1900-1969
Herbert Bayer
serigraph on paper
The Kiss
1932; printed circa 1970
Herbert Bayer
gelatin silver print on paper
Untitled
1968
Herbert Bayer
serigraph in color on paper
Dr. S——
1917
Max Beckmann
drypoint on wove paper
Nikolai Zeretelli (1890-1942), the Russian actor, a member of Alexander Tairoff’s Moscow Chamber Theater
1924?
Max Beckmann
drypoint on Japan paper
Two Lions
1884-1950
Max Beckmann
lithograph on paper
Abendgesellschaft (An evening party)
1913
Max Beckmann
etching and drypoint on medium thick smooth cream wove paper
Tegeler Freibad
1911
Max Beckmann; Galerie I.B. Neumann
lithograph on paper
Morgen
1923
Max Beckmann
drypoint on paper
Liebespaare I (Lovers I), from “Gesichter”
1916
Max Beckmann
drypoint on hand-made wove paper
Figures; ‘Gesellschaft’
1915
Max Beckmann
drypoint on paper
Portrait of Artist’s Brother-in-law
1914
Max Beckmann
lithograph on laid paper
The Negro. No.6 from the Series of Ten Prints, ‘Der Jahrmarkt’
1921
Max Beckmann
drypoint on paper
Dressing Room (Garderobe), from “Jahrmarkt”
1921
Max Beckmann
drypoint on paper
The Big Bridge
1922
Max Beckmann
drypoint on paper
Dostoevsky II
1884-1950
Max Beckmann
drypoint on laid off-white paper
Self-Portrait
1922
Max Beckmann
woodcut on paper
Chimney sweep. No. 10 from the Series of Ten Prints, ‘Berlin 1922’
1922
Max Beckmann
lithograph on paper
Reclining Nude
1922
Max Beckmann
drypoint on paper
The Beach (Strand)
1922
Max Beckmann
drypoint on paper
Self-Portrait with Fishing Pole
1949
Max Beckmann
pen, ink and graphite on white paper
Baptism of Christ
1911
Max Beckmann
lithograph on paper
Pleasure-seekers
1912
Max Beckmann
drypoint on paper
Umarmung (The Embrace)
1922
Max Beckmann
drypoint on paper
Drinking Song (?), from “Stadtnacht, <br />Plate 1 (Trinklied – aus der Mappe “Stadtnacht” Blatt 1)”<br />
1920
Max Beckmann
lithograph on off-white laid paper
Still Life with Toys and Shell
1934
Max Beckmann
watercolor on pink paper
Portrait of Zeretelli II
1923
Max Beckmann
lithograph on paper
Begin the Beguine
1946
Max Beckmann
oil on canvas
Self-Portrait with Housegable
1918
Max Beckmann
drypoint on wove paper
Two Men Swinging Hoes and Two Women Planting Potatoes
1915
Max Beckmann
Pen and black ink on cream colored wove paper
Seated Harlequin
1922
Heinrich Campendonk
woodcut on paper
Portrait of Jean Bloe Niestlé
1921
Heinrich Campendonk
woodcut with watercolor, gouache and gold on paper
Femme Nue à l’Eventail
1889-1948
Marc Chagall
etching on chine paper
The Fables: the Cobbler and the Business Man (VIII:2)
1928-1931
Marc Chagall
etching and drypoint on paper
The Grandmother
1922
Marc Chagall; Paul Cassirer; Pan-Presse
etching and drypoint on paper
Manilov and Tchitchikov, from Gogol’s ‘Dead Souls’
1923-1927
Marc Chagall
etching on ivory wove paper
Red Sun
1952
Marc Chagall
color lithograph on paper
La Visite par la Fenêtre, from ‘Maternité’
1925-1926
Marc Chagall
etching and aquatint on paper
Arabian Nights. Pl. 3. Kamar Al-Zaman and the Jeweler’s Wife. “Then he spent the night with her embracing and clipping…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 3. Kamar Al-Zaman and the Jeweler’s Wife. “Then he spent the night with her embracing and clipping…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 8. Abduhllah the Fisherman and Abdullah the Merman. “When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net…”
1948
Marc Chagall
color lithograph on paper
The Fables: The Little Fish and the Fisherman
1928-1931
Marc Chagall
drypoint and etching on paper
Arabian Nights. Pl. 6. Julnar the Sea-Born and her Son King Badr Basim of Persia “So she came down from the three and drawing near him strained him to her bosom…”
1948
Marc Chagall
color lithograph on paper
The Bible: Abraham Approaching Sodom with Three Angels
1929-1930
Marc Chagall
etching on paper
Arabian Nights. Pl. 10. The Tale of the Ebony Horse. “Now the King loved science and geometry and one festival day as he sat on his kingly throne there came in to him three wise men”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 4. Julnar the Sea-Born and her Son King Badr Basim of Persia “Disrobing her with his own hand, the King looked upon her body and saw it were a silvern ingot…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 5. Julnar the Sea-Born and her Son King Badr Basim of Persia “So I came forth of the sea and sat down on the edge of an island in the moonshine…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 6. Julnar the Sea-Born and her Son King Badr Basim of Persia “So she came down from the tree and drawing near him strained him to her bosom…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 10. The Tale of the Ebony Horse. “Now the King loved science and geometry and one festival day as he sat on his kingly throne there came in to him three wise men”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 11. The Tale of the Ebony Horse. “He went up to the couch and found a young lady asleep, chemised with her hair as she were the full moon rising over the Eastern horizon…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 11. The Tale of the Ebony Horse. “He went up to the couch and found a young lady asleep, chemised with her hair as she were the full moon rising over the Eastern horizon…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 2. Kamar Al-Zaman and the Jeweler’s Wife. “They were in forty pairs, thus numbering fourscore and in their midst a young lady, riding on a horse, her face unveiled..”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 4. Julnar the Sea-Born and her Son King Badr Basim of Persia “Disrobing her with his own hand, the King looked upon her body and saw it as it were a silvern ingot…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 12. The Tale of the Ebony Horse. “Mounting the ebony horse he took her up behind her with strong bonds; after which he turned the shoulder-pin of ascent, and the horse rose with him high in air…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 2. Kamar Al-Zaman and the Jeweler’s Wife. “They were in forty pairs, thus numbering fourscore and in their midst a young lady, riding on a horse, her face unveiled…”
1948
Marc Chagall
color lithograph on paper
Pavillon de Marsan. 107 Rue de Rivoli. Tous les jours de 10H. A. 17H. Sauf le Mardi. (“The Painter in Pink”)
1959
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 9. Abdullah the Fisherman and Abdullah the Merman. “Abdullah discovered before him and on his right and left mountains of water and solaced himself by gazing thereon and on the various sort of fish. Some of them favored buffaloes, others oxen and others dogs and yet others human beings…”
1948
Marc Chagall
color lithograph on paper
Musical Clown
1957
Marc Chagall
four-color lithograph on paper
Dead Souls: Funeral
1923-1927
Marc Chagall
etching and drypoint on paper
Arabian Nights. Pl. 7. Julnar the Sea-Born and her Son King Badr Basim of Persia “Then the old woman mounted on the Ifrit’s back, taking her daughter behind her, and Ifrit flew off with them…”
1948
Marc Chagall
color lithograph on paper
Kamar Al- Zaman and the Jeweler’s Wife, Pl. 1
1948
Marc Chagall; Albert Carmen
lithograph on paper
Arabian Nights. Pl. l. Kamar Al-Zaman and the Jeweller’s Wife. “The boy displayed to the Dervish his bosom, saying, ‘Look at my breasts which be goodlier than the breasts of maidens and my lipdews are sweeter than sugar candy…’ “
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 7. Julnar the Sea-Born and her Son King Badr Basim of Persia “Then the old woman mounted on the Ifrit’s back, taking her daughter behind her, and Ifrit flew off with them…”
1948
Marc Chagall
color lithograph on paper
Dead Souls: Figure with Candle
1923-1927
Marc Chagall
etching and drypoint on paper
The Bible: The People of Israel
1929-1939
Marc Chagall
etching on paper
Bird and Candles
20th century
Marc Chagall
color lithograph on cream wove paper
Arabian Nights. Pl. 13. Shaharazad’s Night. “Then said the king in himself, ‘By Allah, I will not slay her, until I have heard the next of her tale.’ So they slept the rest of that night in mutual embrace till day finally brake…”
1948
Marc Chagall
color lithograph on paper
Arabian Nights. Pl. 13. Shaharazad’s Night. “Then said the king in himself, ‘By Allah, I will not slay her, until I have heard the next of her tale.’ So they slept the rest of that night in mutual embrace till day finally brake…”
1948
Marc Chagall
color lithograph on paper
Dead Souls: Interior
1923-1927
Marc Chagall
etching and drypoint on paper
The Fables: The Cat Metamorphosed into a Woman (II:18)
1928-1931
Marc Chagall
drypoint and etching on paper
From the Fables: the Eagle, the Sow, and the Cat (III:vi)
1928-1931
Marc Chagall
etching on paper
L’Arondelle from Daphnis and Chloé
1961
Marc Chagall
lithograph on wove paper
The Hen with the Golden Eggs
1927-1930
Marc Chagall
etching, engraving and drypoint on laid paper
Kanone am Strand (A Canon on Strand)
1916
Lovis Corinth
drypoint on wove paper
Self-Portrait
1920
Lovis Corinth
lithograph on paper
Door Design
1858-1925
Lovis Corinth
graphite on white paper
Self-portrait with artist’s wife
1904
Lovis Corinth
drypoint on wove paper
Cats
1924
Lovis Corinth
graphite on wove paper
Ganymede und der Adler
1920
Lovis Corinth
lithograph on paper
Legends of Mythology: Io with the Cloud, from the Series ‘The Loves of Zeus’
1920
Lovis Corinth
color lithograph on paper
Kaiser Maximilian, Weislingen und die Nürnberger Kaufleute, from the series Gesc
1920-1921
Lovis Corinth
etching on paper
Illustration for Balzac’s ‘Die Frau Konnetable’
circa 1920
Lovis Corinth
lithograph on paper
View in the Tiergarten
1920
Lovis Corinth
drypoint and etching on paper
Legends of Mythology: Antiope and the Faun, from the Series “The Loves of Zeus”
1920
Lovis Corinth
color lithograph on paper
Walchensee in Mist
1920
Lovis Corinth
lithograph on paper
Woman Leaning Backward
1919
Lovis Corinth
woodcut on handmade paper
Legends of Mythology: Danae and the Shower of Gold, from the Series “The Loves of Zeus”
1920
Lovis Corinth
color lithograph on paper
Self-Portrait
circa 1923
Lovis Corinth
lithographic crayon on cream colored paper
Legends of Mythology: Callisto with Zeus – Artemis, from the Series “The Loves of Zeus”
1920
Lovis Corinth
color lithograph on paper
Legends of Mythology: Alcmene with Zeus – Amphitrion, from the Series “The Loves of Zeus”
1920
Lovis Corinth
color lithograph on paper
Portrait of a Nurse
1858-1925
Lovis Corinth
graphite on white paper
Reclining Male Nude
1858-1925
Lovis Corinth
graphite on paper
Animals (recto and verso)
1923
Lovis Corinth
graphite and charcoal on wove paper
A Mighty Fortress Is Our God (Eine feste Burg ist unser Gott), illustration #29 from Timotheus Klein’s Martin Luther (Berlin: Fritz Gurlitt Verlag, 1920-21)
1920
Lovis Corinth
lithograph on handmade beige paper
Portrait of Carl Radu
circa 1925
Otto Dix
lithograph on paper
Page from ‘Matthaus Evangelium’
1960
Otto Dix
lithograph on paper
Halbakt
1924
Otto Dix
lithograph on off-white laid paper
Holy Anne with Two Others (Hl. Anna selbtritt)
1914
Otto Dix
charcoal on ready brown wove paper
Hölderlin
1961
Max Ernst
etching on paper
Composition with Figures
1891-1951
Max Ernst
lithograph on paper
Light of Impassable Decay (Lumière infranchissable pourriture)
1964
Max Ernst
color etching and aquatint on off-white wove paper
Manhattan I
1951
Lyonel Feininger
lithograph on paper
Three Sharks in Quest of a Victim (Les requins, or Trois requins en quête d’une
1967
Max Ernst
hand-colored etching on Arches paper
Four Shoes, from ‘La Ballade du Soldat’
1972
Max Ernst
etching, printed in red ink on paper
Castronautes
1965
Roberto Matta; Georges Visat; L'Oeuvre Gravée
color etching, spitbite, and aquatint on wove paper
Portrait of August Bolte (Portrait Auguste Bolte), from Kurt Schwitters, “Auguste Bolte”
1967
Max Ernst
lithograph on chine collé
Angler (mit Sonne)
1919
Lyonel Feininger
woodcut on Japanese paper
Off the Coast
1951
Lyonel Feininger
lithograph on paper
Dancers
1950
Max Ernst; Edmond Desjobert; La Guilde internationale de la gravure
lithograph on Arches paper
Connecticut Hills
1950
Lyonel Feininger
watercolor and ink on white paper
At the Crossroads (En Rade)
1955
Max Ernst
oil on canvas
Troistedt
1919
Lyonel Feininger
woodcut on Japanese paper
Village Church
1931
Lyonel Feininger
woodcut on Japanese paper
Janus Bird (Oiseau Janus)
1973
Max Ernst
bronze
Correspondances dangereuses
1947
Brunidor Editions; Max Ernst; S. W. Hayter
etching on Vélin Arches paper
Composition – Komposition 1920-21
1876-1923
Jacoba van Heemskerck
woodcut on paper
Der Narr (The Fool)
1917
Erich Heckel
woodblock on paper
Before the Mirror
1920
Erich Heckel
lithograph on paper
Commemoration (Gedenkblatt H.B.)
1947
Erich Heckel
woodcut on paper
Akrobaten
circa 1911
Erich Heckel
woodblock print on paper
Still Life with Figures (Stil Leben Mit Holz Figur)
1960
Erich Heckel
woodcut on paper
Before the Mirror
1920
Erich Heckel
lithograph on paper
Handstand
1916
Erich Heckel
lithograph on paper
Landscape
1919
Erich Heckel
graphite and ink on thin paper
Page from Sketchbook: Pensive Figure
1878-1955
Carl Hofer
graphite on white paper
Profile of a Woman
20th century
Carl Hofer
charcoal on paper
Dancers
Carl Hofer
lithograph on paper
Bathers
1878-1955
Carl Hofer
lithograph on paper
Sokotra
20th century
Carl Hofer
drypoint on paper
Dancers
1878-1948
Carl Hofer
lithograph on paper
Badender
1878-1955
Carl Hofer
lithograph on paper
Two Girls Embracing
1878-1949
Carl Hofer
watercolor on white paper
Three Heads
20th century
Carl Hofer
lithograph on paper
Das einsame Weib (The Lonely Woman)
1914
Wilhelm Lehmbruck
etching on laid paper
Head of a Boy – ‘My Son Manfred at the Age of Four’
1916
Wilhelm Lehmbruck
lithograph on laid paper
Kopf
1921-1922
Alexei Jawlensky
lithograph on paper
From Proun
1923
El Lissitzky
lithograph on paper
From Proun
1923
El Lissitzky
lithograph on paper
From Proun
1923
El Lissitzky
lithograph on paper
From Proun
1923
El Lissitzky
lithograph on paper
From Proun
1923
El Lissitzky
lithograph and collage on paper
From Proun
1923
El Lissitzky
lithograph on paper
From Proun (Architectural study for an art gallery)
1923
El Lissitzky
lithograph on paper
Boy with Lyre
circa 1950s
Gerhard Marcks
woodcut on paper
Orpheus Series. No. 4: Orpheus and Eurydice
1948
Gerhard Marcks
woodblock on paper
Orpheus Mourning, No. 7 from the Orpheus Series
1948
Gerhard Marcks
woodcut on paper
Noah and the Dove
20th century
Gerhard Marcks
woodcut on paper
Standing Youth
circa 1940
Gerhard Marcks
graphite on cream paper
Absage (Renunciation)
1926
Gerhard Marcks
woodblock print on paper
Almtanz (Alpine Dance)
1926
Gerhard Marcks
woodcut on paper
Seated Nude Female Figure
1944-1947
Gerhard Marcks
graphite on paper
Orpheus in the Underworld, No. 6 from the Orpheus Series.
1948
Gerhard Marcks
woodcut on paper
Standing Nude; Verso: Standing Nude
1939
Gerhard Marcks
graphite on white paper
Orpheus Series. NO. 2: Orpheus Singing
1948
Gerhard Marcks
woodblock on paper
Figure
1932
Gerhard Marcks
graphite on cream paper
Landscape
late 19th century - mid 20th century
Ludwig Meidner
print on paper
Bildnis, from the portfolio “Deutsche Graphiker der Gegenwart”
1920
Ludwig Meidner
lithograph on paper
Pointe seche
20th century
Jean Metzinger
drypoint on paper
The Three Trees
circa 1921
Jean Metzinger
oil on canvas
Militarism (Militarismus)
1924
László Moholy-Nagy
gelatin silver print from rephotographed photomontage on paper
Man with Pigeon
1933?
László Moholy-Nagy
gelatin silver print on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Konstruktionen (6)
1923
László Moholy-Nagy
lithograph on paper
Construction (Konstruktion)
1923
László Moholy-Nagy
color lithograph on paper
From the Radio Tower, Berlin
1928, printed circa 1941 - 1946
László Moholy-Nagy
gelatin silver print on paper
Abstrakte Komposition
circa 1925
László Moholy-Nagy
watercolor, India ink, and collage on wove paper
Young Gypsy
1927
Otto Mueller
color lithograph on paper
French Chateau
1893-1951
Otto Pankok
aquatint on paper
Composition
1921
Johannes Molzahn
woodcut on paper
Ferntaster II
1920
Johannes Molzahn
etching on paper
After the Bath (Nach dem Bad)
1920
Max Pechstein
drypoint and etching on paper
Nude
1913
Max Pechstein
facsimile reproduction of a wash drawing on paper
Am Strom (The River)
1923
Max Pechstein
aquatint and etching on paper
Dialogue
1920
Max Pechstein
color woodcut on paper
Sailor
1923
Max Pechstein
woodcut on paper
Heidenstamm, from “Marsyas”
1918
Max Pechstein
drypoint and etching on paper
The Lord’s Prayer, sheet 1 (Das Vaterunser)
1921
Max Pechstein
woodcut with hand-coloring on paper
, sheet 3 – Hallowed Be Thy Name (Das Vaterunser – Geheiligt werde Dein Name)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 12 – For Ever and Ever. Amen! (Das Vaterunser – von Ewigkeit zu Ewigkeit. Amen!)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 6 – And Forgive Us Our Sins (Das Vaterunser – Und vergieb uns unsre Schuld)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 5 – Give Us this Day Our Daily Bread (Das Vaterunser – Unser täglich Brot gieb uns heute)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 10 – For Thine Is the Kingdom (Das Vaterunser – Denn Dein ist das Reich)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 7 – As We Forgive Them that Sin Against Us (Das Vaterunser – Wie wir vergeben unsern Schuldigern)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 8 – And Lead Us Not into Temptation (Das Vaterunser – Und führe uns nicht in Versuchung)
1921
Max Pechstein
woodcut with hand-coloring on paper
The Lord’s Prayer, sheet 11 – The Power and the Glory (Das Vaterunser – Und die Kraft und die Herrlichkeit)
1921
Max Pechstein
woodcut with hand-coloring on paper
Men with Boat (Fishermen with Boat); Ausfahrende Fischer
1923
Karl Schmidt-Rottluff
lithograph on cream wove paper
Juggler
1849-1938
Christian Rohlfs
laid paper on paper
Spaziergaenger (Man with Cane)
20th century
Christian Rohlfs
woodcut on paper
Dancers (Zwei Tänzende)
circa 1913
Christian Rohlfs
linoleum cut on paper
Juggler
1849-1938
Christian Rohlfs
color woodcut on paper
Female Nude Lying on Stomach, study for Female Nude from the Back (Weiblicher Rückenakt), 1911
1911
Christian Rohlfs
tempera and ink on brown wove paper
Portrait
1884-1948
Karl Schmidt-Rottluff
lithograph on paper
Landscape
1884-1956
Karl Schmidt-Rottluff
color crayons and gouache on wove paper
Die Sonne, No. 3 from the series 10 Holzschnitte…
1914
Karl Schmidt-Rottluff
woodcut on paper
Komposition mit Kopf im Profil
1921
Kurt Schwitters
lithograph on paper
Untitled
1926
Kurt Schwitters
red crayon on medium thick, medium textured cream wove paper

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